art in june

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There is certainly no lack of art exhibits in Second Life during this first month of summer.  Besides the recently opened The Swamp , by Meilo Minotaur and CapCat Ragu, the photograph exhibit MYdigliani by daze Landar, the permanent works at Gallery M by Mich Michabo, all at Berg by Nordan Art, there are several exhibits, as well as at least one major new sim-sized installation, to explore.

My first stop today is at dathuil where we find the exhibit Her and him, by Hillany Scofield, curated by Lucy Butoh and Max Butoh. This collection of photographs is the second part of a collaboration with moon Edenbaum, who showed his exhibit me_you here last month. I think there are sixteen color images here; some of them are very creatively mounted in the ceiling, I got dizzy counting, but I think I got it right. I really like this exhibit by hill.s. Not only do the images beautifully correspond with the works by moon, but they also convey a completely different kind of intimacy. hill.s notes about her exhibit that [o]n a day like any other she walks into that little café on the corner. She knows it`s never crowded at this time of day. when she grabs a coffee and her favorite lemon pie on her way home. But this day is unlike the other days and this man is unlike any other she had seen around here. And his presence felt different to all the others…. Each picture here truly does offer a peek into what feels like a deeply personal moment that is part of a story. There is also something homely about these photographs that I utterly adore. Head over and take a look before the exhibit closes on June 30.

There are two exhibits, one by Cipher and the other by Peep Sideshow, curated by CrankyGrit, in two small galleries on the newly opened sim The GoodLife.  The little galleries are located right after you enter the sim, nested in decayed builds, one on the left and on one the right hand side of the street. Both spaces are intimate, displaying a handful of really good images by each photographer. Looking forward to more art exhibit on this sim, this is a great start.

Sina Souza is showing a collection of her own most favorite photographs at the Art Gallery The Eye. I’ve seen all these images before, but honestly,  I never really tire of Sina’s work. Her painterly surrealist style always leaves me wanting more. Head over and take a look at these photographs, I am not really sure how long they will be up. Make sure to also check out Sina’s new work Mental Levels currently at MetaLES if you haven’t already.

Last, but certainly not least, there is an incredibly complex and beautiful installation, Flash Forward/Flash Backward, by Giovanna Cerise, curated by Dividni Shostakovich, at Split Screen. This is a multi-layered work, consisting of six connected parts; Dream, Point of View, The Desire, Lightness, The Impossible Choice and The Birth.  All parts are accessible either by walking through the build itself or teleporting from one part to another. Extensive information about the exhibit, including landmarks to each space, is provided at the landing point. Wandering through this maze-like structure made me feel like I was part of a dream. There were times when I took a wrong turn and felt lost, but then found my way again. The surrounding flickering, shifting images and colors further contribute to the experience of being in a dream state. Giovanna notes about her work that it encompasses imagery from the past, present and future: Everything appears and disappears, in a game in and out, in the will to create alienation effects, restlessness, suspended in an allusive and visionary atmosphere. In this wandering, however, intimate glimpses appear as flashes that isolate and force them to stop. They are moments of stasis, breaks that interrupt the anxiety of trying. Objects that are reflected or evanescent figures metaphorically produce in the present vague suggestions. The installation, formed for the most part from simple geometric elements , is thus presented as a destructured form, almost shapeless with the intent to create chaotic and changing moments. Inside there are spaces that vanish in the complex but depending on the angle they are perfectly visible. A fantastic show, great in every detail, bravo Giovanna, really. Head over and take a look before the installation closes on July 31.

There are many other exhibits I did not cover here because there is simply not enough time. Let me just mention here though Itakos Art Gallery and DixMix Gallery, both of which always have regularly rotating photography exhibits by great artists. Also, rumor on the street has it that there is a great new group show coming up at UTSA ArtSpace (I know my friend ◦⊱ Mi ⊰◦ will part-take) so please be on the lookout for announcements.

Photographs by Kate Bergdorf

one family and art

Having an art sim I am fortunate enough to get to know the people who exhibit their work there. Everybody has a story and for a short moment we become part of each others’ stories. Some of the stories linger, or come to an end, others keep evolving. As of late, I find myself becoming a small part of a story so rich and meaningful that I want to share a part of it here. This is the story of a Portuguese family consisting of Meilo Minotaur, CapCat Ragu, Takio Ra and Rita Eustáquio. Meilo, in the middle in photo above, is the mother of CapCat, left in the photo. CapCat and Takio (right in the photo) are married and have a daughter, Rita. Rita does not yet have an avatar, and is not depicted above, but rumor has it that she is thinking about creating one soon. Meilo  and CapCat have been producing art in Second Life since 2008. Most of you probably know them as the creators of the sim Delicatessen. As of this year, they are also permanent resident artists at Berg by Nordan Art. Their first installation, in January 2017, was Penumbra and opening tomorrow, The Swamp. Remarkably, all four contribute to these installations. It is a joint family art project. While CapCat and Meilo create the visible work (terraforming, building, avatars, etc.), Takio is responsible for the sound and Rita does voice. The Swamp is dark and unsettling, a powerful metaphor for fascism inspired by Cap’s and Meilo’s first hand revolution and post-revolution experiences in Portugal; I’ve been told that sound and voice are a particularly important aspect of this work, so when you visit, please make sure to turn it on.

CapCat (Catarina Carneiro de Sousa) successfully defended her thesis Virtual Corporeality and Shared Creativity and received her PhD in April this year. She also published an article, Mom and Me Through the Looking Glass, in Metaverse Creativity in 2012. Her article examines the collaborative work of CapCat and Meilo in Second Life, integrating the notion of shared creativity; [t]he aim is to describe and analyse their cooperative creative process from the perspective of one of the artists/authors, walking through three artistic works that were made in the Second Life® region of Delicatessen: ‘de Maria, de Mariana, de Madalena…’, ‘Petrified’ and ‘Meta_Body’. These projects reflect two aspects of the artists’ work on the one hand avatar art, and on the other the creation of virtual environments. The text also reflects on the concept of shared creativity, which the artists propose through their avatar creations. The article is worth reading in its entity as it is a great source of information for Second Life residents, artist and non-artists alike. It is also beautifully written and in so many ways mirrors the work by Cap and Meilo that we see in-world.  To me, the work of these two women (and Takio and Rita) reflects the essence of metaverse creativity and, no doubt, they are virtual world artist pioneers. I leave you here with a quote from the first part of CapCat’s article:

We are two metaverse avatars. We are also mother and daughter; I am CapCat Ragu and Meilo Minotaur is my mother in real life. We are both artists, and as artists it seems that all through our lives we have been dealing with the same issues that we are now working on together in the Metaverse. When I was a little girl I used to love the Carnival holiday. In Portugal this is a time to dress up, and to imagine ourselves as the other… I remember my mother staying up all night working on these amazing seethrough butterfly wings for me. I think that these were the first avatars we ever made together.

 

Photographs by Kate Bergdorf

coming up at berg by nordan art

There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.

Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October.  Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.

Poster of The Swamp by CapCat Ragu
Photograph by Kate Bergdorf