coming up at berg by nordan art

There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.

Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October.  Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.

Poster of The Swamp by CapCat Ragu
Photograph by Kate Bergdorf

the validity of virtual photography

I generally believe that misperceptions, or even conflicts, are not bad. If dealt with in a constructive manner they in fact often demystify things. In this post then, I address the common misperception that “real life” photography is more valid than virtual world photography. I look at some of the criteria that overlap in both. I address the difficulty of some critics to accept virtual photography as legitimate. I talk about virtual photography as the same and as different, and as a means of communication between people in Second Life. I consider that virtual photography, especially as perceived on Flickr, may in fact be a new form of art.

I am not a photographer by profession, merely a novice snapping pictures in the virtual world. But regardless, and again, as mentioned in my Le serpent qui danse May 11, 2017 blog entry, it seems to me a photograph is a photograph whether it is taken in real or virtual worlds. If not, would someone please explain to me what is actually the difference?

One of the reasons that I care about the meaning of virtual photography is because I am getting fed up with it being thought of as second best to “real life” photography. It just doesn’t make sense to me. In fact, there are many criteria that overlap when it comes to virtual and “real life” photography. There are virtual images that are of better quality than others, just as it is the case with “real life” photography. The question of what is art pertains to virtual and “real life” photography alike. The thinking involved in the creative process of virtual and “real life” photographs is the same. And so on.

Probably certain critics of virtual world photography, and of SL Flickr, have a hard time consolidating the fact that virtual photography is legitimate because they experience it as a threat. In their minds, this kind of photography must not be real because these days any novice has access to editing tools required to produce an image. But isn’t that great? Why condemn people who experiment creatively with photography? Shouldn’t we be open to creativity in all its forms? Why so frightened of the new and the undefined?

I firmly believe that a virtual photograph is just like a “real life” photograph. But I also believe that it is much more than simply an image; it is a tool for people in Second Life to communicate with each other about their virtual experiences in a virtual community space (Flickr). When we are part of a virtual world like Second Life, we communicate in-world via IM, voice, poses, profiles, and with our choice of avatar appearance. A big part of our communication with each other is also expressed creatively with our photos on Flickr. There are virtual photographers on Flickr who I have never met but I feel I know them because I know their photographs. They have become familiar to me.

Lastly, and boldly, I would go as far as suggesting that virtual photography as we see it and experience it on Flickr is art. So while the virtual photograph is just like the “real life” photograph, it is also not. It represents a new form of art with categories and criteria of its own. I will not go into this too much here because it is something that Tutsy Navarathna and myself discussed at length in the past and even considered putting together a publication about. We may still. It was during these discussions about virtual art and Flickr that Tutsy cleverly coined the term Flickrism.

In conclusion, I think it is safe to say that a virtual photograph is the same as a “real life” photograph. In addition it also serves as a communication tool for creative people occupying the virtual world. And we may want to start considering virtual Flickr photography a new virtual art movement in its own right. Virtual photography is not only the same as “real life” photography it is also different. Different is a usually a good thing, at least in my book.

Photograph by Kate Bergdorf

art in may

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As always when it comes to new art in Second Life, there’s plenty to see. There are at least three photograph exhibits that opened this month. We also have a new installation, Fade Away, by the ever-productive and talented Cica Ghost that opened on May 5. Cica offers a quote by Bob Dylan as a theme: Some people seem to fade away but then when they are truly gone, it’s like they didn’t fade away at all. As so often when it comes to Cica’s work, we are not provided with any kind of extended artist statement from her end. But it doesn’t really matter, of course, as we can certainly derive our own interpretations from what we see. Fade Away comes in various shades of grey. Almost completely black trees, other kinds of dark vegetation, massive grey rock formations, as well as groups of solemn, hooded figures that are dispersed throughout, lending this space a feeling of hopelessness. There are single figures standing around too, some of them appear close to transparent, perhaps hinting at the passing of life. There are clocks dispersed throughout, indicating time, or, a loss or lack of time. Segments of fences are placed throughout, maybe suggesting a division of sorts. As commonly seen in Cica’s work, we also have little scenes scattered throughout, inviting us to take a closer look in order to find meaning. It seems this installation deals with questions about mortality and relationships, the passing of time perhaps, but I am not sure. These are just some feeble attempts from my part to make sense of it. Head over and take a look for yourself at this dark and very beautiful exhibit.

There’s a new exhibit, a Romance in Brooklyn, by Isa Messioptra, at Mirage Gallery, that opened yesterday and will be open for the next month. This is a great little gallery, set on the sim Mirage, owned and curated by Nicasio Ansar. The space itself consist of a maze-like set up of metal structures with divisions, a great back-drop for this playful exhibit by Isa. There are twelve large color images part of this show; with names like let him do the guessing, ….“only one drink though,” share a cab, and ok 3 drinks, each and every one of these photographs is subtly seductive and only leaves the viewer wanting more. Bravo Isa, a cool and sexy exhibit with great energy. A breath of fresh air for sure!

One of my all-time favorite Second Life artists, Sina Souza, has a new exhibit, Mental Levels, at MetaLES, curated by Ux Hax and Romy Nayar. Sina, who started producing art in the virtual world in 2012, also has her own gallery, Mind Factory. The images in the current exhibit at MetaLES are displayed in large black boxes, all positioned on different levels. I counted eleven boxes altogether and each level connects with stairs. The photographs contained in them are bold and strong. To me they feel like they have been painted, but they have not. This artist often addresses in her work societal issues and we see some examples of this here with works like democratic suicide or in the tact of society. A wonderful exhibit Sina, and it is great to see you work in-world again.

Finally, I just had to make a last stop to check out the exhibit by Magic Marker, curated by Sorcha Tyles, at the Artful Expressions Gallery. I believe this is the first exhibit by the talented Miss Marker. This show consists of nine photographs; one in black and white and the rest in color. Magic uses in her photographs vibrant colors, captivating poses and props which she combines to achieve a unique expression that is easily recognizable as hers. Her work is energetic, fun, and full of passion.

Photographs by Kate Bergdorf

Le serpent qui dance

For the past few weeks I’ve been completely caught up in finishing a collection of photographs for an upcoming exhibit at Itakos. The exhibit, The Dancing Serpent, inspired by the poem with the same name by Charles Baudelaire (Fleurs du Mal, 1857), is curated by Akim Alonzo. The opening is this Sunday, May 14, at 1:30PM SLT.

Baudelaire’s poem Le serpent qui dance is playful, filled with erotic symbolism and metaphor; it is an ode to desire and longing, no doubt, sexual and otherwise. It consist of nine parts. As the themes for my ten photographs I picked one sentence from each part, as well as the name of the poem itself. There are at least twenty translations of Le serpent qui dance; I ended up choosing the version by William Aggeler, translated in 1954.

Putting together this exhibit led me down a path of self-examination. I came up against content issues where I questioned my use of the female subject as a nude. I realized finally that adding a male subject in some of the images would add a much-needed tension. Also, during the weeks that I worked on this virtual world project I simultaneously had several deadlines in real life that needed to be met. I had to seriously consider the importance of time and how it was spent. I reached the conclusion that the process of creativity, regardless if in real life or virtual life, could only aid me in the sense that it provided a welcomed escape from too much thinking. Lastly, I questioned the meaning of the virtual world Flickr photography itself.

About virtual world Flickr photography then. I showed my ten completed photographs to several friends, all of whom I respect in part because they are talented virtual world photographers who I know will not hesitate to offer constructive criticism. I was pleased with their feedback and, yes, relieved, because like so many others, I never really know if my work is any good. I then showed the images to a friend who is a real life photographer, but does not himself have a Second Life Flickr account. He simply refused to comment. Once I got over his frustrating lack of response, I started pondering what some of his reasons for not commenting may have been. He did not want to offend me with negative feedback, could it be that simple? His only observation, which was something like “everybody on Flickr will love it,” referred to the fact that nude virtual world images receive a disproportionate amount of attention on Flickr? Or could it be that he had actually failed to comprehend that a photograph is a photograph, regardless if taken in real or virtual life? I don’t think I will ever know, but I believe this perhaps nicely illustrates a common reluctance of “real life” photographers to embrace and accept the newness and, yes, modernity, of virtual world Flickr photography. If I sound defensive, it is because I am. But it is not about my work, it is about feeling protective of virtual world Flickr itself. Because rarely in my life have I seen as much creative talent in one place as I have seen there.

This post ended up being much longer than I thought, lots of rambling here. Thank for reading all the way through if you did. Also, and finally, thanks to Akim, an excellent curator, for asking me to show at your beautiful gallery. Thank you also very much to Tutsy Navarathna and Huck Hax for posing; I honestly can’t think of two more patient posers. Thanks to pose makers Del May (Del May Poses) and Olivia LaLonde (Le Poppycock) for your incredible poses, without them, these images could never have been produced.

Poster created by Akim Alonzo

art in march

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There is some great art to be seen in Second Life this month. I’ve been unusually busy in RL lately and have missed attending SL openings and also haven’t been able to blog about them in advance. But this morning then we started on a filled-to-the-brim-kinda-art-day and I am happy to share with you here what we experienced. Our first stop was Dathuil Gallery of Art, where Prairie Kawashima yesterday had the opening for her show Private Sphere, curated by Lucy Diamond and Max Butoh. It has been a bit quiet lately at dathuil and I was happy to see that exhibits are up and running again! I love the way this show is set up; there are simply a group of strategically placed screens in the middle of the room on the ground floor, some with photographs and some without. The viewer has the experience of being in maze and faces the photographs wandering thought it. The photographs themselves are subtly provocative with an erotic edge and technically really well done. Prairie notes about her exhibit that [f]or almost a decade, Second Life has been my refuge – a place of boredom, excess, love and inspiration. Some of this incredible mixture that i keep enjoying so much has turned into a river of self-shots (including occasional homages to my closest friends) that has found its way to my flickr account. Other things will forever remain private. “Private Sphere” is a selection of mostly unpublished pictures that have been between these two categories for some time. Some of them I’m still not sure if they shouldn’t have remained private. In any event, I hope you can enjoy parts of it.  This exhibit will be open until April 2. Head over and take a look if you haven’t already.

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We had heard here and there, via a few group announcements and random private notecard invitations by artists, that something was brewing at LEA10. To my knowledge, there has been no major formal announcement by Linden Endowment for the Arts themselves, other than a posting on their blog, about the exhibits that opened yesterday. It seems it was left to the artists themselves to promote the event. Luckily, resident-artist blip mumfuzz (above, left) teleported us in to her part of this sim-wide Victorian London themed group show. blip’s exhibit is dispersed amongst two floors and consists of photographs taken on her virtual world journeys. She notes that I am an improviser by nature…in life and in my art. My images are typically the result of an unplanned, spontaneous interaction with my environment. I got into image-making as a way to record my travels through SL and as a way to hold onto the memory of some of those places. Soon, however, I noticed that I started seeing differently…looking in a different way. I found that once I found saw something interesting I’d start moving the camera around. Looking over and under, behind and between. I began looking less at the things themselves…and more at visual and spatial relationships things. Do head over and check out blip’s work, the LEA10 link above will take you there; and continue wandering around outside to explore the work of other artists. There are several great photographers (I believe around 40) who have their work on display here, nestled in spaces amongst little Victorian stores; most noteworthy to us was the stellar work by Kato Salyut.

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Our third stop was a little sneak-peek preview of the exhibit Wandering World, by nekonuko Nakamori, presented by One Caress. The opening is today, March 5, 2015 at 10 AM SLT and the show will remain open until the end of the month. This is the second exhibit in a very short period of time by the talented Miss Nakamori; her other show, [I AM nekonuko] Who are you?, opened at IMAGO last month. The One Caress show, a collection of 24 photographs, is displayed in a large maze of sorts. The maze, as well as the texture used, serve as a great backdrop for these large colorful images. As we were finding our way through the winding path we lingered a while in front of photographs.

2017/03/05 08:10] k a t e (KateBergdorf Resident): i like this one
[2017/03/05 08:11] tutsy Navarathna: she has a poetic univers
[2017/03/05 08:11] k a t e (KateBergdorf Resident): she does, her own world

Head over and take a look for yourselves at this lovely exhibit. All photographs are for sale in the last little room.

untitledOther noteworthy exhibits that you don’t want to miss this month are, in no particular order, Under the Sea by Cica Ghost (see image above); Bleeding Books by Haveit Neox at Split ScreenAlpha Auer at UTSA ArtSpace; and The Art Rocket by Betty Tureaud at LEA19.

Photographs by Tutsy Navarathna and Kate Bergdorf

berg by nordan art: gallery changes

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As mentioned in a blog post a few weeks ago, there will be several changes made to Berg by Nordan Art, all effective starting April. First, I am happy to officially introduce Tutsy Navarathna as my co-manager and co-curator. Tutsy has already played an integral part in the gallery for the past years and it seems only fitting that he should now take on a more visible role. Our shared goal continues to be presenting you only with outstanding virtual art; photography, installations and machinima.  Gallery M, the permanent exhibit space for the artist Mich Michabo, will remain as is. Mich has been working on a new exhibit and I anticipate we will have the opening in a few months. The format of the Berg by Nordan Art gallery in the sky remains the same; we have four photographers per year, each showing their work for a period of three months. We will replace the current a bit dated gallery build with a new building by Abiss. L’annexe, which I have been using to exhibit my photographs, will become a space where Tutsy and I present collaborative work a few times per year. We have already started work on a new machinima. Last, but not least, I just received word that Meilo Minotaur and CapCat Ragu have graciously agreed to permanently exhibit their installations on the ground. We will see two or more new installations by them per year, the next one some time in May or June. I have been an admirer of the work by Meilo and CapCat since I first came to SL in 2009. It is a great honor for me that they accepted our offer to become resident artists. That is all for now. Please check this blog, or join the group Berg by Nordan Art inworld, for updates and announcements.

Photograph by Kate Bergdorf

Meilo Minotaur, CapCat Ragu and Huckleberry Hax at Berg by Nordan Art

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We have two new exiting exhibits coming up at Berg by Nordan Art; one, the installation Penumbra, by Meilo Minotaur and CapCat Ragu, and the other, a collection of photographs, lacrimioare, by Huckleberry Hax. The opening for both is on Sunday, January 8, at 9 AM SLT and the exhibits will on display until the end of March 2017.

The collaborating artists Meilo Minotaour and CapCat Ragu are familiar to most in Second Life. The two built the sim Delicatessen, that held projects like de Maria, de Mariana, de Madalena, Petrified and Meta_Body. Both have since 2008 devoted their artistic activities to the Metaverse, working individually and collaboratively in the Second Life virtual environment where they held several solo exhibitions and collaborated with artists from different fields and nationalities. Meilo Minotaur is an artist with a background in sculpture. She was as a member of the handicrafts group Gárgula, having participated in several international exhibitions and won various prizes. CapCat Ragu is an artist with a background in painting and art studies. She was a member of the artistic association Caldeira 213 and the artistic collective ZOiNA, having participated in the creation and organization of several artistic activities since. She is an assistant professor at Escola Superior de Educação do Instituto Politécnico de Viseu since 2007.

I am incredibly excited to show the very magical and awe-inspiring installation Penumbra by these two talented artists. Sound is an integral part of the installation so please make sure you have it on; voices are by Rita Eustáquio, Luís Eustáquio and Catarina Carneiro de Sousa. Sound capture and editing is by Takio Ra. We also highly recommend using the region windlight London 2026. There are several free avatars available and you can get them by touching the cocoon, or  sitting and clicking on the first tree and the caterpillars. Please read and respect the license of the avatars you are given. About their installation Penumbra then, the Meilo and CatCat note that [t]he old world is dying, and the new world struggles to be born: now is the time of monsters.” This is, usually, the quote we most see attributed to Antonio Gramsci, the Italian theorist, politician, and freedom fighter. However, this is not the true quote. In Italian, what Gramsci wrote in Quaderni del carcere (Prison Notebooks) was: “La crisi consiste appunto nel fatto che il vecchio muore e il nuovo non può nascere: in questo interregno si verificano i fenomeni morbosi piú svariati.”. This would more accurately translate to: “Crisis consists precisely in the fact that the old is dying and the new cannot be born, in this interregnum a great variety of morbid symptoms appear.” But Prison Notebooks suffered several translation mutations, such as: “Le vieux monde se meurt, le nouveau monde tarde à apparaître et dans ce clair-obscur surgissent les monstres.” This mutation was carried over to portuguese translation: “O velho mundo agoniza; o novo mundo tarda a nascer, e, nesse claro-escuro, irrompem os monstros”. Back to English, this would translate to “The old world is dying, the new world is slow to appear and in this chiaroscuro the monsters arise.” The word “penumbra” exists both in English and Portuguese. It means partial illumination, a chiaroscuro, the dusk. Going back to the original quote, this penumbra, this forest, is the interregno, mutated by the flux of words in translation, adding poetic resonance to Gramsci’s pragmatism. Beware of the “morbid symptoms” you might embody!

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Huckleberry Hax’s fine photography exhibit lacrimioare (which means “Lily” in Roman), is his first. It is such an honor for me to show the work of this mulit-talented artist and close friend. Most of you may know Huck as a writer and publisher of numerous virtual world inspired works and, more recently, also a machinima-maker and builder. Over the past year or so we have also seen an increased activity by Huck on Flickr and his beautiful photographs have quickly become popular. About his exhibit lacrimioare, Huck provides a poem and notes that it is about [t]he new absence of someone loved.

For Lily.

she wobbles at the edge of the drop
crouched, reaching
she takes a fistful of dirt from the box
kisses her soiled fingers
and sobs
and throws it down
savagely
upon polished wood and white petals

Both exhibits will be open until the end of March 2017, at which time we are planning some changes for the gallery. But more about this to come at a later time. For now, hope to see you all on Sunday, at which time sim will again open its doors to the public.

art in december

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There is a lot going on in the SL art world in December! Here is a selection only as I unfortunately don’t have time to cover all installations and exhibits. I wish I did. First, the new work by Canadian artist Bryn Oh, Hand, opened a few days ago. This is a complex installation, complete with  instructions on WL, and other settings provided at the landing point. It is well worth the effort to follow these basic guidelines, as they significantly shape the overall impression. There is also a HUD provided, which will further enhance the visitors’ experience. As always with Bryn’s works, there is a narrative, this time it is a story about a girl named Flutter. We follow Flutter along with the HUD chapters as she explores the whimsical world on this sim. It is as usual a great pleasure taking in the work by Bryn; the narrative, the carefully crafted original objects, the layout, sounds, and the WL are all magnificent. Make sure not to miss this.

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Also recently opened to the public is the newest installation by JadeYu Fhang, OpeRaAnxiEty, at MetaLES, curated by Ux Hax and Romy Nayar. This exhibit replaces the installation Tumor, by Igor Ballyhoo, while the work Tout est Allumé, by Tutsy Navarathna, remains on the display until the end of the year. This is a large immersive sci-fi inspired work, beautifully laid out with various webs, mist and android shapes. As a large spider nursing half-human eggs in its web, we witness a sense of busy anxiety here, reminiscent perhaps of the weaving of our own confounding webs.  Many photographers have already found their way to this build and we have seen some fantastic images on Flickr. Head over and take a look.

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In my humble opinion one of the most talented SL photographers, Isa Messioptra (also owner of the sim Crestwick, which includes The Pretentious Gallery) has a new show, Cerebral Frame, curated by dixmix source, at the DixMix Gallery. This is a compilation of thirteen older works by Isa, both in color and black and white. There is a captivating narrative in all of this artist’s images that draw the viewer in, leaving us wanting to know more. Bravo Isa, it so great to see your work on display.

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Last, but not least, we have a new show coming up on December 17 at 12 PM SLT at the Blue and Orange Art Project (venue will open on the day of exhibit opening), curated by Ini Inaka and Gitu Aura. There is an incredibly talented group of artists showing their work here; Theda Tammas, Indigoclaire, Miu Miu Miu, Eupalinos Ugajin, and Igor Ballyhoo. My curiosity is peaked for sure! I have unfortunately not had a chance to visit this gallery before, but will most definitely try to check this out.

Photograph by Kate Bergdorf

flickr and art

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Now and then we notice in our Flickr community commentary about certain photographs not being art. Some of these comments are nice, some are not so nice. These comments generally posit that images of nudity and sex are more popular and as they are thus favored more often and get more comments they must then not really be art. I will not get into here what is art and what is not art, but just suggest that images posted on Flickr are both and neither. Flickr is a unique modern phenomenon that is hard to define. It is a platform for creativity and some photographs are clearly better than others. It is also a community, a place where we exchange and express our experiences in the virtual world. Flickr has different meanings for different people. Personally, I like Flickr because others inspire me; I learn from them. I post my photos for feedback and it is unimportant to me whether or not my images are considered art or not. It just doesn’t matter that much. Many of us get excited when we see an image we like and can relate to and we give it a comment and a star. Why is this perceived by some as being so wrong? It has perhaps something to do with the strange phenomenon that the images created by people who consider themselves artists usually get less stars and less comments. I don’t know why some of the more artistic pictures get less attention on Flickr and I have wondered about it myself. Could it also be that some virtual world artists feel frustrated by a general lack of recognition, not only on Flickr but also inworld, and are in fact envious of some Flickr photographers getting more attention (i.e, Flickr stars, comments, followers) than they themselves do? Just saying.

Photograph by Kate Bergdorf

art in november

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There is plenty of art to be seen in SL in November. Currently at my own gallery, Berg by Nordan Art, we have The Joy Formidable, by Livio Korobase, and L’avion en Papier, by ◦⊱Mi⊰◦, both open until the end of the year. My first stop on my gallery tour this morning then was the recently opened From here on there be dragons, by Alpha Auer, curated by Dividini Shostakovich, at Split Screen Installation Space. The installation will be open until the end of January 2017. First off, let me just say, nobody does gold in SL like Alpha Auer (previously covered here). This installation consists of several large golden dragons, mirrored in the renaissance map surface below, and surrounded by modern geometric black structures. Alpha notes that [w]hen Medieval and Renaissance map makers got to the edge of the world, they used to write “beyond this place there be dragons,” meaning dangerous or unexplored territories that sailors should beware of before attempting to cross into them. This was expressed by the visual practice of putting dragons, sea serpents and other mythological creatures in uncharted areas of maps. In this installation I have used a Renaissance map, a leaf from Abraham Ortelius’s “Theatrum Orbis Terrarum,” as the floor of a dark, geometric architecture which floats high in the sky, depicting an abstract, reflected world guarded by tangibly real-looking dragons. Alpha Auer, aka Elif Ayiter, is a designer, educator and researcher, you can read more about what she does on her website.

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My second gallery stop was the exhibit Always Closer, by the French artist Lil’ Frenchie elo, curated by Dido Haas at Nitroglobus Roof Gallery. The exhibit will be open until the end of December 2016. Here we find sixteen large photographs, mostly studies of BDSM, beautifully put together and quite expressive. Elo notes that [s]ubmission is the ability to give the best of you to the one you love, without any questioning about the reasons of this love. It’s there, that’s all and you must show it, you must say it, and get Always Closer to it, because life is too short. Great job putting this together Elo, congratulations.

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At MetaLES, curated by Ux Hax and Romy Nayar, is still open on the ground the installation Tumor by Igor Ballyhoo. In the MetaLES sky space can be found the exhibit, Tout Est Allume, by  Tutsy Navarathna. This is a compilation of 16 machinima and 19 animated shorts by Tutsy. About this exhibit, he notes that [a] friend of mine, Etienne Armand Amato, once mentioned this: It’s because we only have one life we need . . . several. Virtual reality, augmented reality, virtual life, immersive worlds … These new words describe a part of our future. My movies in Second Life try to show how virtuality is part of our reality. The influence it has on our thoughts, our artistic creations, our friendly or romantic relationships. A phenomenon still very young, virtual life has a bright future and like all major revolutions it is worth to see more closely, trying to understand, even flying too close to the sun and burn your wings . . . The show will be open until the end of the year.

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Lastly, we have an exhibit an multi-artist exhibit by Maloe Vansant, Fingers Scintilla and Dixmix Source at the DIXMIX Gallery, which opens tomorrow, Wednesday, November 23 at 12 PM SLT. Head over to the opening if you can, it promises to be a great exhibit by these three talented photographers.

Photograph on top by Kate Bergdorf