Special art film correspondent for this blog, moon Edenbaum, made me aware of the video A Male Eye. John Berger, created by Mariana Trigueros. This film speaks to the male gaze and female objectification, a topic obviously just as relevant in our virtual world as in the real world. Ms. Trigueros, a Spanish researcher, audiovisual producer and archivist, notes about her work that [m]ost pictures are meant to be seen by a male. This determines not only most relations between men and women but also the relation of women to themselves. John Berger wrote his book ‘Ways of Seeing’ (1972) on this premise, which has been used as the script for this video essay aimed to be a tribute to his work. Take a look at this video, its beautifully put together, visuals, editing and music are a perfect fit. A feast both for the mind and for the senses.
There is a talk coming up, A Talk About Mutual Respect: Perspectives on Empathy, addressing the themes of the two Mutual Respect exhibits, both part of The G.B.T.H. Project, both curated by Marina Münter. The event will take place tomorrow, Saturday, December 23, at 3 PM SLT with discussants Huck Hax, Marina Münter, moon Edenbaum and myself as moderator, and will be held in voice. We will start with an introduction about the collective exhibits Mutual Respect, and also address the meaning of the talk itself, followed by discussions by the guest speakers and then open up for Q&A. The purpose of this talk is to make people in Second Life think, challenge themselves and for a moment ignore stereotypical societal rules when it comes to the opposite sex, with a focus on embracing flaws and empathy. Come join us, we look forward to your questions and comments!
Poster by Marina Münter
I will close my gallery Berg by Nordan Art December 31. Until then, we will continue operating as usual; CapCat Ragu and Meilo Minotaur have a new exhibit coming up October through December, as does moon Edenbaum. Gallery M, the permanent exhibit space by Mich Michabo, remains open. I hope to be able to extend at least a smaller version of Marina Münter‘s installation Non-Perishable beyond the end of September as well. More about this to come.
Berg by Nordan Art started as Nordan Art. The gallery operated as Nordan Art from 2010 through March of 2012 and then as Berg by Nordan Art from 2015 through 2017. The vision of the gallery has remained consistent; to offer the highest quality virtual art, both when it comes to large immersive installations on the ground as well as to virtual images in the gallery build. Thank you to the outstanding artists who exhibited in the gallery since 2010; they are, in chronological order, nessuno Myoo, Paola Tauber, freebee Withnail, Kicca Igaly, Natsha Lemton, Del May, Bliss Violet, typote Beck, Syn Beresford, Feathers Boa, soror Nishi, Betty Tureaud, Rebeca Bashly, Rose Borchovski, Helene Lytton, Simotron Aquila, Claudia222 Jewell, Shelina Winkler, Theoretical Afterthought, Igor Ballyhoo, Cherry Manga, Anley Piers, lalie Sorbet, Romy Nayar, Trill Zapatero, Artistide Despres, Alizarin Goldflake, Stephen Venkman, Robin Moore, Scottius Polke, Tutsy Navarathna, Piedra Lubitsch, Harbor Galaxy, Giovanna Cerise, Sina Souza, Haveit Neox, Mich Michabo, Imani Nayar, Maloe Vansant, Livio Korobase, Mi, Meilo Minotaur, CapCat Ragu, Huckleberry Hax, daze Landar, Senna Coronet, Marina Münter and moon Edenbaum. Some of these artists exhibited twice and of note, there was a period in the beginning of 2012 where documentation about the gallery is not available. Please let me know if you exhibited then and are not on the list and I will make sure to add you.
Retrospective publications (Nordan Art: A Retrospective 2010 to 2011, Berg by Nordan Art 2015, Berg by Nordan Art 2016), machinima (Rebirth by Iono Allen, Penumbra Machinima by Erythro Asimov, Penumbra Opening at Berg by Nordan Art by Tutsy Navarathna, Berg by Nordan Art by Zarrakan the Cat, Berg by Nordan Art Opening 2016 by Tutsy Navarathna, Fading Mask by Haveit Neox, Berg by Nordan Art Opening October 2015 by Tutsy Navarathna, Harbor Galaxy at Berg by Nordan Art by Tutsy Navarathna), lectures, Nordan Art awards (both at UWA and at Nordan Art), inworld groups (Nordan om Jorden and Berg by Nordan Art), blog posts (The Bergdorf Reports and The Virtual Review) and Flickr groups (Berg by Nordan Art, Nordan Art Issuu Publishing and Non-Perishable) came about as extensions of the gallery. A special thank you to Igor Ballyhoo, Huckleberry Hax and Tutsy Navarathna. You were integral as creative collaborators and contributors.
Moving forward I will focus on my sim North, create my own virtual images and maybe write some art blog posts here and there. We will publish a Berg by Nordan Art 2017 retrospective next year. The Berg by Nordan Art inworld group, as well as the Nordan om Jorden inworld group, will remain open and active. I also anticipate that I will be involved in various art undertakings in the future, which will then all fall under the auspice of Nordan Art/Berg by Nordan Art.
Photograph by Kate Bergdorf
Marina Münter and I were just recently introduced by a mutual friend. Pretty much immediately after we had exchanged only a few words we embarked upon a whirlwind of planning and action for a new art project at the gallery. Marina’s exhibit, Non-Perishable, will open at Berg by Nordan Art on September 1, 2017, at 2 PM SLT. Her installation consists of five containers in different colors placed upon a cement slab attached to a floating pontoon. Each container holds various objects and all, except for one or two of them, are in the same color as the container itself. Throughout her work on this immersive project, Marina and I chatted intermittently. Below find excerpts from our exchange.
[2017/08/25 12:09] Kate: there are like little stories in each space?
[2017/08/25 12:09] Marina Münter: yes
[2017/08/25 12:10] Kate: great for photography too, little scenes
[2017/08/25 12:10] Marina Münter: yep
[2017/08/25 12:10] Marina Münter: it started like a photo project for myself, but then started growing
[2017/08/27 16:22] Marina Münter: I think working with the subject of memory is always interesting, makes it more personal
[2017/08/27 16:22] Marina Münter: and even with those objects I can relate to something from my life or a mood, feelings of a memory as well, if it makes sense for you
[2017/08/27 16:22] Kate: yes
[2017/08/27 16:23] Kate: the objects become the language
[2017/08/27 16:24] Marina Münter: the green container is a trap
[2017/08/27 16:25] Marina Münter: once you get it you can’t go out
[2017/08/27 16:25] Marina Münter: literally
[2017/08/27 16:25] Kate: omg i thought it was my lag lool
[2017/08/27 16:25] Kate: heeeeeellllllp!!
[2017/08/27 16:25] Marina Münter: hahahaha
[2017/08/27 16:25] Marina Münter: need to fix that
[2017/08/27 16:25] Kate: mabye not 😀
[2017/08/27 16:32] Kate: have you showed art in SL before or is this the first time?
[2017/08/27 16:33] Marina Münter: it is my first time here in SL, but in RL I was part of a collective exhibition of photography back in 2009
[2017/08/27 16:40] Marina Münter: my mother is an artist, and I grew up between exhibitions and installations
[2017/08/27 16:40] Kate: so it’s in your blood
[2017/08/27 16:40] Marina Münter: and I have this thing that I don’t see myself as an artist because no one really want to be like their parents haha
[2017/08/27 16:40] Marina Münter: it is a real struggle for me
[2017/08/27 16:40] Kate: true you want to do your own thing lol
[2017/08/27 16:40] Kate: yes i can imagine
[2017/08/27 16:41] Marina Münter: for the first time, with this exhibition now, I am allowing myself to be an artist
[2017/08/27 16:43] Marina Münter: the moment I told myself “ok, let’s do it” was when I found out a way to take better photos with my laptop
[2017/08/27 16:43] Marina Münter: and then is labor
[2017/08/27 16:43] Marina Münter: repetition
[2017/08/27 16:43] Kate: yes
[2017/08/27 16:43] Marina Münter: because if you have, for example, an empty glass
[2017/08/27 16:44] Marina Münter: you can pour water
[2017/08/27 16:44] Marina Münter: drink it, then maybe use this glass to organize pencils
[2017/08/27 16:44] Marina Münter: or make a small garden in it
[2017/08/27 16:44] Marina Münter: break it and glue the pieces together
[2017/08/27 16:44] Kate: yes
[2017/08/27 16:44] Marina Münter: pile a bunch of glasses together
[2017/08/27 16:45] Marina Münter: the possibilities are infinite
[2017/08/27 16:45] Marina Münter: and I really think that the choices you make towards the subject are who you are
[2017/08/27 16:45] Marina Münter: the luggage you bring
[2017/08/27 16:45] Kate: so once you start doing it you know at some point where it will end or what it will become
[2017/08/27 16:45] Marina Münter: oh no
[2017/08/27 16:45] Kate: yes a subjective process
[2017/08/27 16:46] Marina Münter: I never know how it will end
[2017/08/27 16:46] Marina Münter: but I know from the moment it is done I want to get rid of it
[2017/08/27 16:46] Marina Münter: haha
[2017/08/27 16:46] Kate: you need to rid yourself of it lol
[2017/08/27 16:47] Kate: a really meaningful process, also hard, that you are going through right now then
[2017/08/27 16:47] Marina Münter: oh yes
[2017/08/27 16:47] Marina Münter: I am really obsessed with it
[2017/08/27 16:48] Marina Münter: started working on it from the moment I received the containers
[2017/08/27 16:48] Marina Münter: and didn’t really stop since
[2017/08/27 16:48] Kate: and you’ve been writing about this also
[2017/08/27 16:49] Marina Münter: lines
[2017/08/27 16:49] Marina Münter: I write lines
[2017/08/27 16:49] Kate: part of poems perhaps
[2017/08/27 16:49] Marina Münter: not sure
[2017/08/27 16:49] Marina Münter: maybe confessions
[2017/08/27 16:49] Kate: but they belong with the containers
[2017/08/27 16:52] Kate: its like sorting through chaos somehow
[2017/08/27 16:52] Marina Münter: yes
[2017/08/27 16:52] Kate: there is really nothing like the creative process to sort your feelings
[2017/08/27 16:52] Kate: you just get so caught up in it
[2017/08/27 16:53] Marina Münter: yep
[2017/08/27 16:53] Marina Münter: you grab them by the horns
[2017/08/27 16:53] Marina Münter: I can’t remember who told me that the first time but I try to keep that thought with me
[2017/08/27 16:53] Marina Münter: grab by the horns
[2017/08/27 16:53] Kate: tackle things
[2017/08/27 17:06] Marina Münter: so the containers are what i ended up using because I was born and I live in a port city
[2017/08/27 17:07] Marina Münter: I always see those bad boys being carried away or at the traffic jam
[2017/08/27 17:07] Kate: yes
[2017/08/27 17:08] Marina Münter: and I kept thinking what on earth are they carrying
[2017/08/27 17:08] Marina Münter: and have you seen a port before?
[2017/08/27 17:08] Marina Münter: it is amazing
[2017/08/27 17:09] Kate: well there are a lot of ships and a lot of hustle and bustle
[2017/08/27 17:09] Marina Münter: and the colors are intense
[2017/08/27 17:09] Marina Münter: the smell of fuel and salt
[2017/08/27 17:10] Kate: yes
[2017/08/27 17:10] Marina Münter: so I decided to put stories inside those containers now
[2017/08/27 17:11] Marina Münter: make them home of beautiful and disturbing things
[2017/08/27 17:11] Kate: make them alive somehow i guess too
[2017/08/27 17:12] Kate: this is really about subjectivity again
[2017/08/27 17:12] Kate: making objects subjective
[2017/08/27 17:14] Kate: well i imagine the content of each container is a collection of memories that come together and each create a story that doesn’t really have a name, but there is a feeling
[2017/08/27 17:14] Marina Münter: yes, you got it
[2017/08/27 17:14] Kate: we don’t really need to name things
[2017/08/27 17:14] Kate: naming is overrated lol
[2017/08/27 17:14] Marina Münter: but it is all there
[2017/08/27 17:14] Marina Münter: haha yes
[2017/08/27 17:15] Marina Münter: one of the things I like the most about contemporary art is that you can relate to them
[2017/08/27 17:15] Marina Münter: you can feel something or not
[2017/08/27 17:16] Marina Münter: art is language for me
[2017/08/27 17:16] Marina Münter: so if they can speak to me through their work, fantastic
[2017/08/27 17:17] Marina Münter: sometimes it gets lost in translation
Marina will be exhibiting in the same Non-Perishable exhibit space photographs that she took of the five containers. She will be inviting photographers to take pictures and we will show some of these images also. Visitors are welcome to take pics too and we are creating a Non-Perishable Flickr group for people to show their work. In an effort to make this project as interactive and immersive as possible, poses will be available in addition to the chairs that are already in the containers.
Finally, a special thanks to, in alphabetical order, Agustkov, Irina Forwzy, Lux Chiantelle, Megan Prumier, moon Edenbaum, Pari Dolia, William Weaver and Zygo Decosta, all of whom were integral parts in putting together the exhibit. Hope you are able to join us for the opening of this extraordinary installation on Friday. Please be on the lookout for in-world announcements as well as Flickr posting for details. Landmark will be available on the day of the opening.
Photographs by Kate Bergdorf
As readers of this blog know by now, I like to start my monthly art reports with updates on my own gallery, Berg by Nordan Art. We are currently showing the installation The Swamp, by CapCat Ragu and Meilo Minotaur, the photography exhibit Loss, by Senna Coronet, as well as the exhibit The Other (Gallery M), by Mich Michabo. All shows are accessible via teleport from the main gallery. Coming up in October, CapCat and Meilo have a new installation planned, one that will correspond with a real life exhibit. moon Edenbaum will show a photograph exhibit from October through December. More about this to come.
I finally visited Welcome to My Brain, by Isa Messioptra, curated by Lucy Butoh and Max Butoh, at dathuil. Essential to this exhibit are Phototools settings and detailed instructions are posted on the wall at the entrance. I’ve been wanting to see this exhibit for a while now, but have simply been too busy to make it. Upon arrival then, standing in front of a red wallpapered room containing a large brain, it hits me that dathuil has been completely transformed! This show is set on two levels, a new floor, walls and stairs have been installed. Isa notes about her work that [e]ver wanted to take a journey through the human brain? No, not really? Eew? Well too bad because I am going to make you. This new exhibit at Dathuil is different than anything I have worked on before. It is not just images but is intended to be an immersive experience. As you walk through the exhibit you travel through different chambers of the subconscious each completely different from the next much like a Fun House. In this exhibit I use light projection, reflective surfaces, mesh builds, photography, video, physics, animated textures etc. etc. The exhibit consists of several little scenes exploring unconscious experiences and corners of the brain. Intricately constructed displays and outstanding photography, bright colors, shiny textures, and light contribute to this being one of the most stellar exhibits I have seen this year. I bumped into Isa while I was visiting and she said about her work that I started experimenting with reflections and different animated surfaces so I figured I would pick the brain as a subject because it gives me license to do anything. Head over and check out this amazing exhibit, it will be open until the end of August.
The exhibit Selfies, by Burk Bode, curated by Fuyoko Amano (aka Wintergeist), at Club LA Gallery, opened July 30. The show consists of 16 large color portraits, contained in a large black box (suggested WL settings are Midnight or Ambient Dark). The photographs displayed here are sheer and layered, leaving the viewer with the sense of being in a labyrinth surrounded by multiple faces. About this exhibit, Burk notes that [c]hanging my look constantly as shapeshifter some of my shapes last for a day, for one picture, and some stay. A constant change, hard to keep as is this show. Hard to look at. Every look translucent and overlain by former or future versions of the “me.” I met up with Burk at Club LA, took some pics and we talked about his work.
[08:03] Burk Bode: I thought it would be nice to show some of the faces I made
[08:04] Burk Bode: as I was thinking of how to fill the box, I had the idea of making the pics translucent
[08:04] Burk Bode: so that you can see one face behind the other
[08:05] Burk Bode: like I do in my head
[08:05] Burk Bode: always the next idea already there while I still work on the actual one
[08:09] Kate: so this is really a representation of the images you see in your mind of people
[08:09] Kate: at the same time, multilayered
[08:09] Kate: its like thinking
[08:10] Burk Bode: yep
[08:10] Burk Bode: the split personality me
[08:10] Kate: well i think we all think that way somehow
[08:10] Kate: constant stimuli
A very cool exhibit and a must see. Head over and take a look before it closes in a week or so.
Split Screen, the installation art space curated by Dividni Shostakovich, received a six-month LEA Artist in Residence grant starting in July and is now located on LEA15. Congrats, Dividni! Currently on display as of yesterday are two new installations, EveryWhere and NoWhere by JadeYu Fhang, and The Games We Play by Krystali Rabeni. JadeYu’s work is the larger of the two and located on the ground level. Consisting of several small scenes on multiple levels, this complex work is made up of fantasy figures, ladders, metal beams, and chromosome-like shapes. There is movement, light and fog. The installation initially felt haphazardly put together to me. After a while, however, my impression of it being unfinished and random was replaced by a sense of immersion, a beautiful and purposeful chaos. Really well done, Jade. This installation can’t be rushed through, make sure to spend some time exploring. The work by Krystali consists of a huge chessboard, on it silver and gold chess pawns. Winged chess pieces are part of this installation as well, lending it a sense of movement and intrigue. Head over and take a look at these two installations before they close at the end of September.
There are a few other art events that should not be missed this month. Cica Ghost’s Future opened a few days ago. Her installation consists of a small, grayish island on which are positioned tall cement buildings, a large sea-animal observes the scene from the water. Cica provides about her work a quote by John Greene, “If you don’t imagine, nothing ever happens at all.” The installation Ripple, A Meditation on Waves, by Douglas Story & Desdemona Enfield (sonic environment by March Macbain a.ka. Emily Wilkins in RL), is a small visual sonic space where the visitor interacts with the environment. The Holly Kai Art in the Park August 2017 event features Dido Haas, Diamond Marchant, Cecilia Nansen Mode, Jes Mode and Fuyoko Amano (aka Wintergeist).
I know of at least two new shows scheduled to open at the end of August, both of them group exhibits. One at DaphneArts Gallery, curated by Sheldon BeRgman and Angelika Corall, and the other at IMAGO Art Gallery, curated by Mareea Farrasco. More of this to come in next month’s monthly art write-up!
Photographs by Kate Bergdorf
There is certainly no lack of art exhibits in Second Life during this first month of summer. Besides the recently opened The Swamp , by Meilo Minotaur and CapCat Ragu, the photograph exhibit MYdigliani by daze Landar, the permanent works at Gallery M by Mich Michabo, all at Berg by Nordan Art, there are several exhibits, as well as at least one major new sim-sized installation, to explore.
My first stop today is at dathuil where we find the exhibit Her and him, by Hillany Scofield, curated by Lucy Butoh and Max Butoh. This collection of photographs is the second part of a collaboration with moon Edenbaum, who showed his exhibit me_you here last month. I think there are sixteen color images here; some of them are very creatively mounted in the ceiling, I got dizzy counting, but I think I got it right. I really like this exhibit by hill.s. Not only do the images beautifully correspond with the works by moon, but they also convey a completely different kind of intimacy. hill.s notes about her exhibit that [o]n a day like any other she walks into that little café on the corner. She knows it`s never crowded at this time of day. when she grabs a coffee and her favorite lemon pie on her way home. But this day is unlike the other days and this man is unlike any other she had seen around here. And his presence felt different to all the others…. Each picture here truly does offer a peek into what feels like a deeply personal moment that is part of a story. There is also something homely about these photographs that I utterly adore. Head over and take a look before the exhibit closes on June 30.
There are two exhibits, one by Cipher and the other by Peep Sideshow, curated by CrankyGrit, in two small galleries on the newly opened sim The GoodLife. The little galleries are located right after you enter the sim, nested in decayed builds, one on the left and on one the right hand side of the street. Both spaces are intimate, displaying a handful of really good images by each photographer. Looking forward to more art exhibit on this sim, this is a great start.
Sina Souza is showing a collection of her own most favorite photographs at the Art Gallery The Eye. I’ve seen all these images before, but honestly, I never really tire of Sina’s work. Her painterly surrealist style always leaves me wanting more. Head over and take a look at these photographs, I am not really sure how long they will be up. Make sure to also check out Sina’s new work Mental Levels currently at MetaLES if you haven’t already.
Last, but certainly not least, there is an incredibly complex and beautiful installation, Flash Forward/Flash Backward, by Giovanna Cerise, curated by Dividni Shostakovich, at Split Screen. This is a multi-layered work, consisting of six connected parts; Dream, Point of View, The Desire, Lightness, The Impossible Choice and The Birth. All parts are accessible either by walking through the build itself or teleporting from one part to another. Extensive information about the exhibit, including landmarks to each space, is provided at the landing point. Wandering through this maze-like structure made me feel like I was part of a dream. There were times when I took a wrong turn and felt lost, but then found my way again. The surrounding flickering, shifting images and colors further contribute to the experience of being in a dream state. Giovanna notes about her work that it encompasses imagery from the past, present and future: Everything appears and disappears, in a game in and out, in the will to create alienation effects, restlessness, suspended in an allusive and visionary atmosphere. In this wandering, however, intimate glimpses appear as flashes that isolate and force them to stop. They are moments of stasis, breaks that interrupt the anxiety of trying. Objects that are reflected or evanescent figures metaphorically produce in the present vague suggestions. The installation, formed for the most part from simple geometric elements , is thus presented as a destructured form, almost shapeless with the intent to create chaotic and changing moments. Inside there are spaces that vanish in the complex but depending on the angle they are perfectly visible. A fantastic show, great in every detail, bravo Giovanna, really. Head over and take a look before the installation closes on July 31.
There are many other exhibits I did not cover here because there is simply not enough time. Let me just mention here though Itakos Art Gallery and DixMix Gallery, both of which always have regularly rotating photography exhibits by great artists. Also, rumor on the street has it that there is a great new group show coming up at UTSA ArtSpace (I know my friend ◦⊱ Mi ⊰◦ will part-take) so please be on the lookout for announcements.
Photographs by Kate Bergdorf
There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.
Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October. Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.
There are two excellent exhibits on the grid, both opening later today. The first one at dathuil, me_you, by moon Edenbaum with Hillany Scofield, curated by Lucy Butoh and Max Butoh (and a little bit by me), takes place at 12 PM SLT. We find here thirteen large photographs in color depicting subjects in various scenes that offer a glimpse into the lives of three characters in a story. moon notes about the exhibit that [a] woman and a man meet. they get closer, eventually they become lovers, but soon their inability to communicate leads to their split. The exhibit is a collaboration between hill.s and moon and next month we will see hill.s’ perspective at dathuil as well. This is a great, fresh concept; the images pull the viewers in and leave us wanting more. The photographs are gorgeous and in the typical, and at this point so recognizable, Edenbaum-style; realism at its best. Come join the opening today, and if not possible makes sure to visit before the exhibit closes at the end of the month.
The second outstanding exhibit opening today is at the Itakos Gallery, Subtle Scents of Solitute, by Imani Nayar and curated by Akim Alonzo. It opens at 1:30PM SLT. Let me just mention here again how much I enjoy the layout of this gallery; the austere and non-intrusive space is incredibly suitable for the display of photography (read more here). The exhibit itself consists of thirteen color as well as black and white photographs depicting single subjects. The talented Imani succeeds in combining composition, avatar posing, hues of color and shades, as well as blur, to create a tangible sense of loneliness and/or of solitude in every single image here. Describing her exhibit, she quotes the author Kent Nerburn: loneliness is like sitting in an empty room and being aware of the space around you. it is a condition of separateness. solitude is becoming one with the space around you. it is a condition of union. loneliness is small, solitude is large. loneliness closes in around you, solitude expands toward the infinite. loneliness has its root in words, in an internal conversation nobody answers. solitude has its roots in the great silence of eternity. I don’t think I am alone feeling touched by Imani’s work. Her photographs just feels so acutely real.
Photographs by Kate Bergdorf
I visited today with moon edenbaum his exhibit Temple: Moon Edenbaum’s Vison of Prairie Kawashima, currently on display in the gallery room at the newly opened club Sacred. The opening was yesterday and the photographs will be on display until September 20. The exhibit consists of photographs of the artist Prairie Kawashima, taken during two evening sessions in August. Integrating shadows and lights, subtle tones of greys and whites, moon has here successfully managed to put together a collection of beautiful images that are not only sensual and sexual, but also quite gentle and elegant. Moon notes that Prairie represents one of the most important and best assets of second life: communicating through virtual grace and making taste a beautiful language that is formulated by sensitivity and intelligence. Head over and take a look at this exhibit before it closes, you will not want to miss this incredibly fine collection of photographs.
Photograph by Kate Bergdorf
There is an important exhibit, transtriptychon, by moon Edenbaum, currently at the Kafu Ato Gallery. Most of you probably remember the photographs by moon from his last exhibit shoot the shooters, which was his first show and a great success. His current exhibit addresses transgender people in Second Life, merely three photographs in a small gallery; I found the show incredibly powerful and touching. moon notes in his artist statement that transtriptychon is a series of three big photographs that explore the delicate balance of freedom and shame of the trans-people in sl. Transgenderism has thankfully been receiving more and more attention in real life over the past two years or so. Thank you moon for bringing attention to it in Second Life as well. The exhibit runs from March 12 to April 12, 2016, head over and take a look.
Photograph by Kate Bergdorf