The Dreamers

The opening of the final Berg by Nordan Art installation, The Dreamers, by Meilo Minotaur and CapCat Ragu will take place on Saturday, October 21, at 1PM SLT. The exhibit will be up until the last day of December, which is also the last opening day of the gallery. Like the preceding work by these talented artists, this promises to be extraordinary. To me, the description of this work alone reads like poetry.

Because violence will not take away our ability to dream!

When we were just beginning to create this project, the events of Charlottesville happened. Our hearts stopped. We cannot do this – we thought – we must alert to the political situation we live in! The danger of tyranny. The danger of environmental disaster. The danger of xenophobia, sexism, homophobia. The danger of hate! But then we stopped.

From within us came this beach, this horizon. This sea, this lake, these white clouds grew. No! We will not give up on The Dreamers. We will not give up on beauty. They will not steal the beauty of the world. They will not steal tenderness. They will not steal the life we have left. And so, our beach is our resistance!

Meilo and CapCat are again generously offering free gift avatars available at the landing. The gallery is temporarily closed now for installation until the opening and we will then provide the exhibit landmark via group announcements and Flickr.

Poster by Meilo Minotaur and CapCat Ragu

Advertisements

Berg by Nordan Art Closing

I will close my gallery Berg by Nordan Art December 31. Until then, we will continue operating as usual; CapCat Ragu and Meilo Minotaur have a new exhibit coming up October through December, as does moon Edenbaum. Gallery M, the permanent exhibit space by Mich Michabo, remains open. I hope to be able to extend at least a smaller version of Marina Münter‘s installation Non-Perishable beyond the end of September as well. More about this to come.

Berg by Nordan Art started as Nordan Art. The gallery operated as Nordan Art from 2010 through March of 2012 and then as Berg by Nordan Art from 2015 through 2017. The vision of the gallery has remained consistent; to offer the highest quality virtual art, both when it comes to large immersive installations on the ground as well as to virtual images in the gallery build. Thank you to the outstanding artists who exhibited in the gallery since 2010; they are, in chronological order, nessuno Myoo, Paola Tauber, freebee Withnail, Kicca Igaly, Natsha Lemton, Del May, Bliss Violet, typote Beck, Syn Beresford, Feathers Boa, soror Nishi, Betty Tureaud, Rebeca Bashly, Rose Borchovski, Helene Lytton, Simotron Aquila, Claudia222 Jewell, Shelina Winkler, Theoretical Afterthought, Igor Ballyhoo, Cherry Manga, Anley Piers, lalie Sorbet, Romy Nayar, Trill Zapatero, Artistide Despres, Alizarin Goldflake, Stephen Venkman, Robin Moore, Scottius Polke, Tutsy Navarathna, Piedra Lubitsch, Harbor Galaxy, Giovanna Cerise, Sina Souza, Haveit Neox, Mich Michabo, Imani Nayar, Maloe Vansant, Livio Korobase, Mi, Meilo Minotaur, CapCat Ragu, Huckleberry Hax, daze Landar, Senna Coronet, Marina Münter and moon Edenbaum. Some of these artists exhibited twice and of note, there was a period in the beginning of 2012 where documentation about the gallery is not available. Please let me know if you exhibited then and are not on the list and I will make sure to add you.

Retrospective publications (Nordan Art: A Retrospective 2010 to 2011, Berg by Nordan Art 2015, Berg by Nordan Art 2016), machinima (Rebirth by Iono Allen, Penumbra Machinima by Erythro Asimov, Penumbra Opening at Berg by Nordan Art by Tutsy Navarathna, Berg by Nordan Art by Zarrakan the Cat, Berg by Nordan Art Opening 2016 by Tutsy Navarathna, Fading Mask by Haveit Neox, Berg by Nordan Art Opening October 2015 by Tutsy Navarathna, Harbor Galaxy at Berg by Nordan Art by Tutsy Navarathna), lectures, Nordan Art awards (both at UWA and at Nordan Art), inworld groups (Nordan om Jorden and Berg by Nordan Art), blog posts (The Bergdorf Reports and The Virtual Review) and Flickr groups (Berg by Nordan Art, Nordan Art Issuu Publishing and Non-Perishable) came about as extensions of the gallery. A special thank you to Igor Ballyhoo, Huckleberry Hax and Tutsy Navarathna. You were integral as creative collaborators and contributors.

Moving forward I will focus on my sim North, create my own virtual images and maybe write some art blog posts here and there. We will publish a Berg by Nordan Art 2017 retrospective next year. The Berg by Nordan Art inworld group, as well as the Nordan om Jorden inworld group, will remain open and active. I also anticipate that I will be involved in various art undertakings in the future, which will then all fall under the auspice of Nordan Art/Berg by Nordan Art.

Photograph by Kate Bergdorf

art in august

isa

As readers of this blog know by now, I like to start my monthly art reports with updates on my own gallery, Berg by Nordan Art. We are currently showing the installation The Swamp, by CapCat Ragu and Meilo Minotaur, the photography exhibit Loss, by Senna Coronet, as well as the exhibit The Other (Gallery M), by Mich Michabo. All shows are accessible via teleport from the main gallery. Coming up in October, CapCat and Meilo have a new installation planned, one that will correspond with a real life exhibit. moon Edenbaum will show a photograph exhibit from October through December. More about this to come.

I finally visited Welcome to My Brain, by Isa Messioptra, curated by Lucy Butoh and Max Butoh, at dathuil. Essential to this exhibit are Phototools settings and detailed instructions are posted on the wall at the entrance. I’ve been wanting to see this exhibit for a while now, but have simply been too busy to make it. Upon arrival then, standing in front of a red wallpapered room containing a large brain, it hits me that dathuil has been completely transformed! This show is set on two levels, a new floor, walls and stairs have been installed. Isa notes about her work that [e]ver wanted to take a journey through the human brain? No, not really? Eew? Well too bad because I am going to make you. This new exhibit at Dathuil is different than anything I have worked on before. It is not just images but is intended to be an immersive experience. As you walk through the exhibit you travel through different chambers of the subconscious each completely different from the next much like a Fun House. In this exhibit I use light projection, reflective surfaces, mesh builds, photography, video, physics, animated textures etc. etc. The exhibit consists of several little scenes exploring unconscious experiences and corners of the brain. Intricately constructed displays and outstanding photography, bright colors, shiny textures, and light contribute to this being one of the most stellar exhibits I have seen this year. I bumped into Isa while I was visiting and she said about her work that I started experimenting with reflections and different animated surfaces so I figured I would pick the brain as a subject because it gives me license to do anything. Head over and check out this amazing exhibit, it will be open until the end of August.

The exhibit Selfies, by Burk Bode, curated by Fuyoko Amano (aka Wintergeist), at Club LA Gallery, opened July 30. The show consists of 16 large color portraits, contained in a large black box (suggested WL settings are Midnight or Ambient Dark). The photographs displayed here are sheer and layered, leaving the viewer with the sense of being in a labyrinth surrounded by multiple faces. About this exhibit, Burk notes that [c]hanging my look constantly as shapeshifter some of my shapes last for a day, for one picture, and some stay. A constant change, hard to keep as is this show. Hard to look at. Every look translucent and overlain by former or future versions of the “me.” I met up with Burk at Club LA, took some pics and we talked about his work.

[08:03] Burk Bode: I thought it would be nice to show some of the faces I made
[08:04] Burk Bode: as I was thinking of how to fill the box, I had the idea of making the pics translucent
[08:04] Burk Bode: so that you can see one face behind the other
[08:05] Burk Bode: like I do in my head
[08:05] Burk Bode: always the next idea already there while I still work on the actual one
[08:09] Kate: so this is really a representation of the images you see in your mind of people
[08:09] Kate: at the same time, multilayered
[08:09] Kate: its like thinking
[08:10] Burk Bode: yep
[08:10] Burk Bode: the split personality me
[08:10] Kate: well i think we all think that way somehow
[08:10] Kate: constant stimuli

A very cool exhibit and a must see. Head over and take a look before it closes in a week or so.

Split Screen, the installation art space curated by Dividni Shostakovich, received a six-month LEA Artist in Residence grant starting in July and is now located on LEA15. Congrats, Dividni! Currently on display as of yesterday are two new installations, EveryWhere and NoWhere by JadeYu Fhang, and The Games We Play by Krystali Rabeni. JadeYu’s work is the larger of the two and located on the ground level. Consisting of several small scenes on multiple levels, this complex work is made up of fantasy figures, ladders, metal beams, and chromosome-like shapes. There is movement, light and fog. The installation initially felt haphazardly put together to me. After a while, however, my impression of it being unfinished and random was replaced by a sense of immersion, a beautiful and purposeful chaos. Really well done, Jade. This installation can’t be rushed through, make sure to spend some time exploring. The work by Krystali consists of a huge chessboard, on it silver and gold chess pawns. Winged chess pieces are part of this installation as well, lending it a sense of movement and intrigue. Head over and take a look at these two installations before they close at the end of September.

There are a few other art events that should not be missed this month. Cica Ghost’s Future opened a few days ago. Her installation consists of a small, grayish island on which are positioned tall cement buildings, a large sea-animal observes the scene from the water. Cica provides about her work a quote by John Greene, “If you don’t imagine, nothing ever happens at all.” The installation Ripple, A Meditation on Waves, by Douglas Story & Desdemona Enfield (sonic environment by March Macbain a.ka. Emily Wilkins in RL), is a small visual sonic space where the visitor interacts with the environment. The Holly Kai Art in the Park August 2017 event features Dido Haas, Diamond Marchant, Cecilia Nansen Mode, Jes Mode and Fuyoko Amano (aka Wintergeist).

I know of at least two new shows scheduled to open at the end of August, both of them group exhibits. One at DaphneArts Gallery, curated by Sheldon BeRgman and Angelika Corall, and the other at IMAGO Art Gallery, curated by Mareea Farrasco. More of this to come in next month’s monthly art write-up!

Photographs by Kate Bergdorf

art in july

art in july

There is so much going on in the Second Life art world right now, it’s hard to keep up. Besides the installation The Swamp (image of Bloody Hands – The Church avatar above, free at landing), by Meilo Minotaur and CapCat Ragu, the photograph exhibit Loss, by Senna Coronet, and the permanent Gallery M show The Other, by Mich Michabo, at my own gallery Berg by Nordan Art, there are some excellent art shows all over the grid.

There are two new shows at UTSA ArtSpace, curated by constructivIST Solo and Igor Ballyhoo; a collection of photographs by ◦⊱ Mi ⊰◦ and an installation by Romy Nayar. The new nineteen large mostly color, and a few black and white, photographs on display here by ◦⊱ Mi ⊰◦ are taken at The DNA Tower (Igor Ballyhoo), The Sacrificed Angel (Igor Ballyhoo), The Joy Formidable (Livio Korobase), Penumbra (CapCat Ragu and Meilo Minotaur) and Empty Minds (Romy Nayar). They fit so well in the beautiful gallery build created by Igor. To me, each of ◦⊱ Mi ⊰◦’s images has a dream-like quality, which draws me in and consistently holds my attention. There is a painterly quality to her work, which I think at this point has become a major aspect of her style. Bravo, ◦⊱ Mi ⊰◦, such a strong collection. I never tire of looking at your photographs.

The installation Lamento by Romy Nayar consists of three parts. There is a small build in the gallery itself and two other parts accessible via teleport. Each little build consists of various figures, mostly women I think, that are part of a scene, displaying some form of metaphor. It’s hard to immediately grasp the meaning of these scenes, which all seem quite subjective, all in one way or another perhaps dealing with sadness or grief. To me, Romy’s work is becoming more and more surreal, which I like. There was always something magical about her installations and that has not changed.

There is a new exhibit, Creatures of Light, by Harbor Galaxy, curated by Ux Hax and Romy Nayar, at MetaLES. There are twenty large color images on display by Harbor in the intriguing MetaLES space. The space consists of a floor and walls enveloped in a solid, black velvet-like texture and a ceiling adorned with black and white geometric 3D shapes; dispersed in rows throughout are tall, white street-light-shaped poles. Ux and Romy, the talented curators of this place, continue recognizing that the environment housing the art plays an integral part of the overall display and presentation. Love it. It’s very modern and very much immersive virtual art. It struck me, when first viewing Harbor’s images from a distance, that they remind me of something the abstract expressionist painter Jackson Pollock could have created. Looking closer, however, there is much more to it than that; the subject, lines, light and colors merge invisibly somehow. This is a change for Harbor from her previous style. She notes that [f]or those of you who are familiar with my work through Flickr or shows here inworld…CREATURES OF LIGHT may be something of a departure from my usual style. My objective was to use an avatar devoid of ornamentation and to only utilize poses, light and color to create these pieces and to give myself permission to play and to step outside my comfort zone. So great, Harbor; I am in awe of your utterly new and courageous  approach to virtual images.

There is a new exhibit, Absences, by Melusina Parkin, curated by Dido Haas, at Nitroglobus. Most of us know the images by Melusina from Flickr, where she regularly posts series of five or six photographs that display various themes. Her work is minimalist and I believe barely processed with any kind of photo-tools outside of Second Life. There is something incredibly captivating about viewing her series as each image provides a hint of an idea, but it is really the whole, all images in the series together, that leaves one with a lasting impression. The twelve large color images on display in the Nitroglobus address lack, specifically as it pertains to Second Life. Melusina notes about her exhibit that [a]bsence is a negative concept: it means that something should be there and it doesn’t. So, when we look at an empty place – a room, a seashore, a road or even a chair – we can’t avoid thinking of something or somebody who has been or will be there. That’s even more true when a world, including nature and landscape, is entirely made by humans, like Second Life does…[o]n the other hand, looking at empty spaces is stimulating: when humans aren’t there they can be everything. I love imagining what has happened in a place when people has gone. Or what will happen when it will be populated by people. Spaces and objects shape our behavior: they are the limits or the starts of our actions and of our imagination. This is a wonderful exhibit that should not be missed. Melusina’s photographs fit so beautifully in the Nitroglobus gallery, both compliment each other. Head over and take a look.

Let me end with a few comments about other noteworthy art events. The talented Imani Nayar has a new show, My Furillen, curated by Serene Footman, at Furillen. The exhibit Her and Him, by Hillany Scofield, at dathuil, has been extended over the summer months. There is a new multi-artist show, Beautiful Bizarre, at DaphneArts Gallery. DiXmiX Gallery had an opening of a retrospective group show, Best of 2016-2017, yesterday. There are regular rotating exhibits and weekend-themed events at the gallery Blue Orange, the most recent one, Vintage Circus Freak Show. Last, but not least, the Itakos Gallery has been awarded a LEA grant and the gallery relocated to a new sim, the LEA16 Itakos Project. The opening of the new location will take place tomorrow, Sunday, July 16, at 2PM SLT, make sure not to miss it.

As always when it comes to these monthly art reports, I feel I need to point out that there just is not enough time in the day to cover every exhibit. So there are great Second Life art shows out there that I didn’t cover, my apologies. Let me mention here also that I have rarely experienced as vibrant an art world as we see it right now in our metaverse. More than ever before, we see sim-sized installations and photograph exhibits of incredible quality, all pulled together in collaboration by visionary artists and compassionate curators. We are not getting any kind of monetary reward for doing this, we are all driven simply by the pleasure of creating and sharing art. Bravo, thank you to all and keep it coming!

Photographs by Kate Bergdorf
Exhibit posters by respective galleries and artists

art in june

Snapshot_005

There is certainly no lack of art exhibits in Second Life during this first month of summer.  Besides the recently opened The Swamp , by Meilo Minotaur and CapCat Ragu, the photograph exhibit MYdigliani by daze Landar, the permanent works at Gallery M by Mich Michabo, all at Berg by Nordan Art, there are several exhibits, as well as at least one major new sim-sized installation, to explore.

My first stop today is at dathuil where we find the exhibit Her and him, by Hillany Scofield, curated by Lucy Butoh and Max Butoh. This collection of photographs is the second part of a collaboration with moon Edenbaum, who showed his exhibit me_you here last month. I think there are sixteen color images here; some of them are very creatively mounted in the ceiling, I got dizzy counting, but I think I got it right. I really like this exhibit by hill.s. Not only do the images beautifully correspond with the works by moon, but they also convey a completely different kind of intimacy. hill.s notes about her exhibit that [o]n a day like any other she walks into that little café on the corner. She knows it`s never crowded at this time of day. when she grabs a coffee and her favorite lemon pie on her way home. But this day is unlike the other days and this man is unlike any other she had seen around here. And his presence felt different to all the others…. Each picture here truly does offer a peek into what feels like a deeply personal moment that is part of a story. There is also something homely about these photographs that I utterly adore. Head over and take a look before the exhibit closes on June 30.

There are two exhibits, one by Cipher and the other by Peep Sideshow, curated by CrankyGrit, in two small galleries on the newly opened sim The GoodLife.  The little galleries are located right after you enter the sim, nested in decayed builds, one on the left and on one the right hand side of the street. Both spaces are intimate, displaying a handful of really good images by each photographer. Looking forward to more art exhibit on this sim, this is a great start.

Sina Souza is showing a collection of her own most favorite photographs at the Art Gallery The Eye. I’ve seen all these images before, but honestly,  I never really tire of Sina’s work. Her painterly surrealist style always leaves me wanting more. Head over and take a look at these photographs, I am not really sure how long they will be up. Make sure to also check out Sina’s new work Mental Levels currently at MetaLES if you haven’t already.

Last, but certainly not least, there is an incredibly complex and beautiful installation, Flash Forward/Flash Backward, by Giovanna Cerise, curated by Dividni Shostakovich, at Split Screen. This is a multi-layered work, consisting of six connected parts; Dream, Point of View, The Desire, Lightness, The Impossible Choice and The Birth.  All parts are accessible either by walking through the build itself or teleporting from one part to another. Extensive information about the exhibit, including landmarks to each space, is provided at the landing point. Wandering through this maze-like structure made me feel like I was part of a dream. There were times when I took a wrong turn and felt lost, but then found my way again. The surrounding flickering, shifting images and colors further contribute to the experience of being in a dream state. Giovanna notes about her work that it encompasses imagery from the past, present and future: Everything appears and disappears, in a game in and out, in the will to create alienation effects, restlessness, suspended in an allusive and visionary atmosphere. In this wandering, however, intimate glimpses appear as flashes that isolate and force them to stop. They are moments of stasis, breaks that interrupt the anxiety of trying. Objects that are reflected or evanescent figures metaphorically produce in the present vague suggestions. The installation, formed for the most part from simple geometric elements , is thus presented as a destructured form, almost shapeless with the intent to create chaotic and changing moments. Inside there are spaces that vanish in the complex but depending on the angle they are perfectly visible. A fantastic show, great in every detail, bravo Giovanna, really. Head over and take a look before the installation closes on July 31.

There are many other exhibits I did not cover here because there is simply not enough time. Let me just mention here though Itakos Art Gallery and DixMix Gallery, both of which always have regularly rotating photography exhibits by great artists. Also, rumor on the street has it that there is a great new group show coming up at UTSA ArtSpace (I know my friend ◦⊱ Mi ⊰◦ will part-take) so please be on the lookout for announcements.

Photographs by Kate Bergdorf

one family and art

Having an art sim I am fortunate enough to get to know the people who exhibit their work there. Everybody has a story and for a short moment we become part of each others’ stories. Some of the stories linger, or come to an end, others keep evolving. As of late, I find myself becoming a small part of a story so rich and meaningful that I want to share a part of it here. This is the story of a Portuguese family consisting of Meilo Minotaur, CapCat Ragu, Takio Ra and Rita Eustáquio. Meilo, in the middle in photo above, is the mother of CapCat, left in the photo. CapCat and Takio (right in the photo) are married and have a daughter, Rita. Rita does not yet have an avatar, and is not depicted above, but rumor has it that she is thinking about creating one soon. Meilo  and CapCat have been producing art in Second Life since 2008. Most of you probably know them as the creators of the sim Delicatessen. As of this year, they are also permanent resident artists at Berg by Nordan Art. Their first installation, in January 2017, was Penumbra and opening tomorrow, The Swamp. Remarkably, all four contribute to these installations. It is a joint family art project. While CapCat and Meilo create the visible work (terraforming, building, avatars, etc.), Takio is responsible for the sound and Rita does voice. The Swamp is dark and unsettling, a powerful metaphor for fascism inspired by Cap’s and Meilo’s first hand revolution and post-revolution experiences in Portugal; I’ve been told that sound and voice are a particularly important aspect of this work, so when you visit, please make sure to turn it on.

CapCat (Catarina Carneiro de Sousa) successfully defended her thesis Virtual Corporeality and Shared Creativity and received her PhD in April this year. She also published an article, Mom and Me Through the Looking Glass, in Metaverse Creativity in 2012. Her article examines the collaborative work of CapCat and Meilo in Second Life, integrating the notion of shared creativity; [t]he aim is to describe and analyse their cooperative creative process from the perspective of one of the artists/authors, walking through three artistic works that were made in the Second Life® region of Delicatessen: ‘de Maria, de Mariana, de Madalena…’, ‘Petrified’ and ‘Meta_Body’. These projects reflect two aspects of the artists’ work on the one hand avatar art, and on the other the creation of virtual environments. The text also reflects on the concept of shared creativity, which the artists propose through their avatar creations. The article is worth reading in its entity as it is a great source of information for Second Life residents, artist and non-artists alike. It is also beautifully written and in so many ways mirrors the work by Cap and Meilo that we see in-world.  To me, the work of these two women (and Takio and Rita) reflects the essence of metaverse creativity and, no doubt, they are virtual world artist pioneers. I leave you here with a quote from the first part of CapCat’s article:

We are two metaverse avatars. We are also mother and daughter; I am CapCat Ragu and Meilo Minotaur is my mother in real life. We are both artists, and as artists it seems that all through our lives we have been dealing with the same issues that we are now working on together in the Metaverse. When I was a little girl I used to love the Carnival holiday. In Portugal this is a time to dress up, and to imagine ourselves as the other… I remember my mother staying up all night working on these amazing seethrough butterfly wings for me. I think that these were the first avatars we ever made together.

 

Photographs by Kate Bergdorf

coming up at berg by nordan art

There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.

Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October.  Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.

Poster of The Swamp by CapCat Ragu
Photograph by Kate Bergdorf

Art in April

In addition to our own exhibits at Berg by Nordan Art, Penumbra, by CapCat Ragu and Meilo Minotaur; MYdigliani by daze Landar and The Other, by Mich Michabo, we have lots of stuff going on as usual in our virtual art world this month. But I will start of with work created outside Second Life in this post, namely the fine art by talented painter and photographer Indigo Claire. I usually don’t blog about non-virtual art here, but I am making an exception because I fell in love with Claire’s pictures. I am so glad she decided to open her own little gallery, .indigo box, in Second Life. Its a very dreamy two-floor exhibit space in a white box, showing 20 images, containing in the center a few clouds with rain, seating, a few poses and some Queen Ann’s lace bunches of flowers. Congratulations Claire, really well done, everybody should head over and visit!

We have a great new group exhibit, The Endless, at Daphne Arts, curated by Angelika Corall and Sheldon BeRgman, that opened on April 8, 2017. Angelika notes about the theme of the show that The Endless are a group of fictional beings appearing in the comic book series The Sandman, by Neil Gaiman, and published by DC Comics. The characters (Destiny, Death, Dream, Destruction, Desire, Despair and Delirium) embody powerful forces or aspects of the universe. The outstanding group of artists contributing to this show are Ariel Brearly, Awesome Fallen, kiki, Maloe Vansant, Nevereux, Paola Mills, and Whiskey Monday. Let me also say here that the gallery space itself gets better and better. I just love the way this pair of curators continuously evolve in the way they consider art display. Great work.

Then we have once again a stellar exhibit at dathuil, this time by Lulu Jameson, as usual curated by Lucy Diamond and Max Butoh, that opened on April 9. I love everything about this show, the images, as well as the set-up. We find here 30 photographs by the talented Lulu, a mix of color and black and white, a selection of studies of avatars and portraits. Lulu provides a quote by Roald Dahl that captures the dreamy quality of his exhibit; And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it. The images in this show are carefully displayed, they come in various sizes, all beautifully framed with the title of the photograph noted separately below. Great ambience here, really well done. Head over and take a look before the show closes on May 5.

Last, but certainly not least, we have a new installation, Glass Jars, by Art Oluja, displayed on LEA11. This is a large underwater installation, filled with places to explore. Art describes this work as follows: This is an experiment in containing thoughts, emotions, and memories into visual and aural landscapes for you to explore. I hope you enjoy the experience as much as I have creating it. Much of the inspiration for Glass Jars comes from G. Bachelard’s “The Poetics of Space,” R. Grudin’s Time and The Art of Living,” and a short animation film called “The House of Small Cubes.” Sound is an important aspect at Glass Jars, so please turn your sounds on (and up). All of the soundscaping and musical effects you hear around the region are the result of a collaborative experiment with Klaus Bereznyak, who uses percussion and woodwind to creatively reflect the vision and concept of Glass Jars. We used Audacity, a free open source digital audio editor, to manipulate the sounds before uploading them inworld. They are layered across the landscape in a way that the experience becomes uniquely different to each person, depending on how you explore the installation. These organic expressions literally echo the metaphors and emotions of the work. The rain washes over you, tapping away your thoughts, the wind inhales your uncertainties. Take a deep breath, dip into the water. and drift away under the tides. Head over and take a look and be prepared to spend some time exploring this underwater space. Region windlight is suggested for optimal experience.

Photographs by Kate Bergdorf

Coming Up at Berg by Nordan Art

Time flies, it seems. We have already come to an end of the first exhibit period for photography shows in the gallery. Many thanks to Huck Hax for the exhibit lacrimioare; I have received feedback from so many visitors who adored the show. The gallery will now be closed for a week as we are setting up a new exhibit by daze LandarMYdigliani, which will be on display for the next three months. The opening is on Sunday, April 9, 2017 at 10AM SLT and as usual our Nordan Art DJ Eif will provide tunes. The time has also come to bid farewell to the old gallery building, a build I put together myself a few years ago. The Berg by Nordan Art gallery will now instead be housed in space by Abiss that I think is incredibly well suited.

The installation Penumbra, by Meilo Minotaur and CapCat Ragu, will be up for another month or so and then replaced by a new installation by CapCat and Meilo. The Amona Savira Memorial, put together by Senna Coronet, and part of Penumbra, will be taken down in May as well. The same is true for Mich Michabo’s The Other , which is on display in Gallery M; a new show by Mich is in the works and will also open some time in May. The gallery retrospective book Berg by Nordan Art 2016 is close to going to press and we hope to publish within the next few weeks.

We have seen blog posts, Flickr photos, and several machinima about the gallery, as well as received much positive feedback from gallery visitors themselves. Thank you. Thank you also for rating and commenting on the gallery using the Second Life Art kiosk located at the entrance; its rewarding to read the comments you write! As a reminder to new visitors, all parts of the gallery can be accessed from the main gallery in the sky and the teleports are located at the door. Please join our group Berg by Nordan Art inworld for updates and announcements about the gallery. Please post your photos taken at the gallery in the Berg by Nordan Art Flickr group

Photographs by Kate Bergdorf