In addition to the two shows currently at Berg by Nordan Art, Penumbra, by Meilo Minotaur and CapCat Ragu, and lacrimioare by Huck Hax, there is some incredible art to be seen in Second Life right now. First, we have to most recent installation, The Haul, by Haveit Neox, curated by Ux Hax and Romy Nayar, at MetaLES. We visited The Haul without any prior knowledge or information about it. And rather than attempting to interpret it here, I will share with you part of our conversation from when we visited the installation earlier today.
[05:41] tutsy Navarathna: for me haveit is always in same time messy and poetic
[05:41] k a t e (KateBergdorf Resident): yeah, well put
[05:41] tutsy Navarathna: i like what he does
[05:41] k a t e (KateBergdorf Resident): a poetic mess
[05:41] k a t e (KateBergdorf Resident): me too
[05:42] k a t e (KateBergdorf Resident): he has his style, we know it is by him
[05:42] tutsy Navarathna: i don’t mind not to understand something
[05:42] k a t e (KateBergdorf Resident): i agree, its just a feeling
[05:42] tutsy Navarathna: we can let our imagination going on
[05:43] k a t e (KateBergdorf Resident): aww look at those figures above us
[05:43] k a t e (KateBergdorf Resident): soo beautiful
[05:43] k a t e (KateBergdorf Resident): i want to take a pic, just a sec
[05:43] k a t e (KateBergdorf Resident): the colors, the gentleness
[05:43] tutsy Navarathna: yes all details are very well done just as by a painter
[05:43] k a t e (KateBergdorf Resident): yeah does feel like a painting
[05:44] tutsy Navarathna: organic, vegetal
[05:44] tutsy Navarathna: mythologic
[05:44] k a t e (KateBergdorf Resident): he puts his soul into this
[05:45] k a t e (KateBergdorf Resident): this is really tremendously beautiful
[05:46] k a t e (KateBergdorf Resident): the longer i look at it, the more i see
[05:46] k a t e (KateBergdorf Resident): the figures that are part of this emerge
[05:46] tutsy Navarathna: yes need time to see all details and personnages
Head over and take a look at this latest work by Haveit and make sure to check out the installation Illogism by ChimKami Resident as well. Thank you Ux and Romy for all the incredible works you show at MetaLES!
We have a Pink Floyd themed event at Orange Blue that opened this past weekend and will unfortunately close later today already. Curated by Ini Inaka, we find here sculptures by Igor Ballyhoo, animated textures by Willem Koba and walls by Ini Inaka and LeeAllison. I was lucky to bump into Ini as I was standing around putting together this post and she gave me some hints on how to experience this work; use Advanced Lighting and Midnight WL and wear the Record Thrower object provided and use mouse-look to crash walls. Following these instructions is indeed vital for an optimal experience; suddenly light is moving and flickering and walls come crashing down! Noteworthy here are of course also the older works by Igor Ballyhoo, My Lovely Wife, From Green Into Red and Red Into Green and Frozen Brain, amongst others. These sculptures so clearly have stood the test of time; I have said it before, and I will say it again, Igor’s works are Second Life classics. When I asked Ini to tell me a bit about this Pink Floyd themed event, she responded that the idea here was to let people destroy walls. And she noted, “Pink Floyd said it all:” Another Brick in the Wall. Thanks for showing me all this Ini and thanks also for refreshing my rusty mouse-look skills!
Another remarkable show currently on display is NaniNona, by Romy Nayar. I haven’t seen work by Romy in a while and was pleasantly surprised to see this little exquisite installation. About her work, Romy states in her note card, Nani nona na ni no na nani nona na ni nona naninona na ni nona na ninona na nino na na nino. Na ni nona naninona, na ni no naninona, na, ni nona ( nanino na nani no) na ninon a, which made me smile for the entire period that I wandered throughout this enchanting show. The exhibit consists of several rooms connected by doors. In each room, there is a display of a simple scene, all scenes seem to me to be little whimsical parts of stories, all remarkable in their own way and how they are displayed. All comes together here, Romy’s colors and her genial use of magical little figures and objects. Bravo, bravo, bravo Romy!
Finally, we have another installation, Frogs, by Cica Ghost, that opened a few days ago. I am happy to see that Cica is back on a roll again and showing installations on a more frequent basis. Frogs consists of a hilly landscape, a few trees and the ruin of what once must have been a house. Situated on the ruin, there is a girl who is drawing on a wall; the drawing is of a girl dreaming of prince. On the other side of the wall there is another girl at a table watching TV and eating a lollipop. The TV is broken and the scene depicted inside it is very similar to the one in which the girl at the table finds herself outside of it. These two girls, with their dreams and fears, are at the center of the installation. Surrounding them, are a number of large frogs, moving gently in place. This installation feels a bit more hopeful than Cica’s last one somehow, more playful. And I always love seeing her little figures, dressed like dolls, in knitted sweaters and socks. Great detail here, head over and take a look. There is a free frog avatar available at the landing point, make sure to click the sign.
As mentioned in a blog post a few weeks ago, there will be several changes made to Berg by Nordan Art, all effective starting April. First, I am happy to officially introduce Tutsy Navarathna as my co-manager and co-curator. Tutsy has already played an integral part in the gallery for the past years and it seems only fitting that he should now take on a more visible role. Our shared goal continues to be presenting you only with outstanding virtual art; photography, installations and machinima. Gallery M, the permanent exhibit space for the artist Mich Michabo, will remain as is. Mich has been working on a new exhibit and I anticipate we will have the opening in a few months. The format of the Berg by Nordan Art gallery in the sky remains the same; we have four photographers per year, each showing their work for a period of three months. We will replace the current a bit dated gallery build with a new building by Abiss. L’annexe, which I have been using to exhibit my photographs, will become a space where Tutsy and I present collaborative work a few times per year. We have already started work on a new machinima. Last, but not least, I just received word that Meilo Minotaur and CapCat Ragu have graciously agreed to permanently exhibit their installations on the ground. We will see two or more new installations by them per year, the next one some time in May or June. I have been an admirer of the work by Meilo and CapCat since I first came to SL in 2009. It is a great honor for me that they accepted our offer to become resident artists. That is all for now. Please check this blog, or join the group Berg by Nordan Art inworld, for updates and announcements.
Photograph by Kate Bergdorf
Tutsy Navarathna has put together a machinima of the recent opening at Penumbra at Berg by Nordan Art that is nothing short of astonishing. The clever editing, combined with the gentle Indian composition Bombay Dreams by A.R. Rahman, beautifully capture the magic of the installation by Meilo Minotaur and CapCat Ragu. I know you will fall in love with this little film just like I did.
We have two new exiting exhibits coming up at Berg by Nordan Art; one, the installation Penumbra, by Meilo Minotaur and CapCat Ragu, and the other, a collection of photographs, lacrimioare, by Huckleberry Hax. The opening for both is on Sunday, January 8, at 9 AM SLT and the exhibits will on display until the end of March 2017.
The collaborating artists Meilo Minotaour and CapCat Ragu are familiar to most in Second Life. The two built the sim Delicatessen, that held projects like de Maria, de Mariana, de Madalena, Petrified and Meta_Body. Both have since 2008 devoted their artistic activities to the Metaverse, working individually and collaboratively in the Second Life virtual environment where they held several solo exhibitions and collaborated with artists from different fields and nationalities. Meilo Minotaur is an artist with a background in sculpture. She was as a member of the handicrafts group Gárgula, having participated in several international exhibitions and won various prizes. CapCat Ragu is an artist with a background in painting and art studies. She was a member of the artistic association Caldeira 213 and the artistic collective ZOiNA, having participated in the creation and organization of several artistic activities since. She is an assistant professor at Escola Superior de Educação do Instituto Politécnico de Viseu since 2007.
I am incredibly excited to show the very magical and awe-inspiring installation Penumbra by these two talented artists. Sound is an integral part of the installation so please make sure you have it on; voices are by Rita Eustáquio, Luís Eustáquio and Catarina Carneiro de Sousa. Sound capture and editing is by Takio Ra. We also highly recommend using the region windlight London 2026. There are several free avatars available and you can get them by touching the cocoon, or sitting and clicking on the first tree and the caterpillars. Please read and respect the license of the avatars you are given. About their installation Penumbra then, the Meilo and CatCat note that [t]he old world is dying, and the new world struggles to be born: now is the time of monsters.” This is, usually, the quote we most see attributed to Antonio Gramsci, the Italian theorist, politician, and freedom fighter. However, this is not the true quote. In Italian, what Gramsci wrote in Quaderni del carcere (Prison Notebooks) was: “La crisi consiste appunto nel fatto che il vecchio muore e il nuovo non può nascere: in questo interregno si verificano i fenomeni morbosi piú svariati.”. This would more accurately translate to: “Crisis consists precisely in the fact that the old is dying and the new cannot be born, in this interregnum a great variety of morbid symptoms appear.” But Prison Notebooks suffered several translation mutations, such as: “Le vieux monde se meurt, le nouveau monde tarde à apparaître et dans ce clair-obscur surgissent les monstres.” This mutation was carried over to portuguese translation: “O velho mundo agoniza; o novo mundo tarda a nascer, e, nesse claro-escuro, irrompem os monstros”. Back to English, this would translate to “The old world is dying, the new world is slow to appear and in this chiaroscuro the monsters arise.” The word “penumbra” exists both in English and Portuguese. It means partial illumination, a chiaroscuro, the dusk. Going back to the original quote, this penumbra, this forest, is the interregno, mutated by the flux of words in translation, adding poetic resonance to Gramsci’s pragmatism. Beware of the “morbid symptoms” you might embody!
Huckleberry Hax’s fine photography exhibit lacrimioare (which means “Lily” in Roman), is his first. It is such an honor for me to show the work of this mulit-talented artist and close friend. Most of you may know Huck as a writer and publisher of numerous virtual world inspired works and, more recently, also a machinima-maker and builder. Over the past year or so we have also seen an increased activity by Huck on Flickr and his beautiful photographs have quickly become popular. About his exhibit lacrimioare, Huck provides a poem and notes that it is about [t]he new absence of someone loved.
she wobbles at the edge of the drop
she takes a fistful of dirt from the box
kisses her soiled fingers
and throws it down
upon polished wood and white petals
Both exhibits will be open until the end of March 2017, at which time we are planning some changes for the gallery. But more about this to come at a later time. For now, hope to see you all on Sunday, at which time sim will again open its doors to the public.
I am reblogging here this important post from the Delicatessen blog addressing real/virtual world art exhibit overlap.
The crossover between virtual worlds and tangible world (especially the virtual and tangible artworlds) is not easy. With funding you can make something quite spectacular, but still not easy…
Artists, curators and critics from the virtual art world often complain about using these worlds just to simulate the tangible artworld, disregarding the specificity of virtual worlds’ media and possibilities.
When showcasing our virtual world in the tangible world, we have faced the exact opposite problem. Sometimes people want to replicate the experience of being immersed in a collaborative virtual environment, and the possibilities they afford. We don’t believe immersive experiences in the tangible world are impossible. That would be quite foolish, because there has been plenty of immersive art in museums, galleries and public spaces. What we find impossible to replicate is the experience of being immersed in a creative collaborative virtual environment in a museum or gallery, etc. We can provide a computer with an avatar logged in…
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For the French philosopher Pierre Lévy the virtual does not oppose the real. Virtuality is not about possibility, but about potency. The possible is just like the real but without an existence. There is no realization for the virtual, only the potency of what it may become. Virtuality is in the intangible moment between what was and what will be.
Meilo Minotaur and CapCat Ragu at Lost Town.