illogism

There is a new exhibit, Illogism, by ChimKami, curated by Ux Hax and Romy Nayar, at MetaLES, that opened to the public yesterday. I could unfortunately not attend due to RL commitments, but was lucky enough to have received a sneak-peek preview a few days before. Let me tell you, if there was ever an upside-down world that made sense to me, it would be this one! First-time exhibitor Chim is off to an excellent start with this work, combining her 55 photographs as well as objects, poses and movement to produce an exhilarating whole. Visitors are encouraged to fly or use the Walker HUD for optimal experience; with it you can walk up walls and generally get a sense of being upside down and have a tilted and overall quite mesmerizing experience. I also adore the colors used in this installation; integrated with the rest, it simply leaves one smiling and feeling happy. See above for the machinima of this exhibit, put together by Tutsy Navarathna; it captures the installation so beautifully. Bravo to all for your contributions to this exhibit. It will be open until the end of February, head over before it is too late.

Penumbra opening at Berg by Nordan Art: A Machinima by Tutsy Navarathna

Tutsy  Navarathna has put together a machinima of the recent opening at Penumbra at Berg by Nordan Art that is nothing short of astonishing. The clever editing, combined with the gentle Indian composition Bombay Dreams by A.R. Rahman, beautifully capture the magic of the installation by Meilo Minotaur and CapCat Ragu. I know you will fall in love with this little film just like I did.

Tout est Allumé by Tutsy Navarathna

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For those of you who have not yet seen the exhibit Tout est Allumé, by French artist Tutsy Navarathna at MetaLES, there is still time. This spectacular work, curated by Ux Hax and Romy Nayar, with technical assistance by ChimKami and Yoon, will be open until the end of the year. What we find here are six stories of machinima art, 35 movies all in all, made up of 16 machinima and 19 short animations. It would be a mistake to think of this as simply a retrospective of Tutsy’s machinima as there are several new shorter animations to be seen as well. All films are displayed on several levels and to me they somehow feel both separate and connected. The space surrounding the machinima consists of geometric shapes, some of are moving and some static. Translucent staircases connect the different floors. Crucial to the experience of this multidimensional work are of course the animations and music, which are set in continuous loops. There are poses and props, rain, umbrellas, a grand piano and much more, all contributing to a most unique and playful immersive experience.

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This is a monumental installation and well thought out in its complexity. The visitor will want to come prepared to spend time. Tutsy has with this work integrated sound, movement and animation to create a sophisticated immersive whole and with it beautifully displays the notion of the virtual; virtual reality, augmented reality, virtual life, immersive worlds … these new words describe a part of our future. My movies in Second Life try to show how virtuality is part of our reality. The influence it has on our thoughts, our artistic creations, our friendly or romantic relationships. A phenomenon still very young, virtual life has a bright future and like all major revolutions it is worth to see more closely, trying to understand, even flying too close to the sun and burn your wings . . . Bravo Tutsy, this is truly a groundbreaking contribution not only to our SL world of art but also to the virtual community at large. Noteworthy is also that visitors to this exhibit will likely not have any technical difficulties at all. The machinima themselves are easy to play; simply place the cursor on the bar on the movie screen and press play, replay or stop. They can also be viewed on the web. It quite remarkable to me how these films can be played simultaneously inworld without the sound or the visuals of each machinima interfering with the other. Quite the technical challenge, congrats to all involved for mastering this aspect too. The recommended WL is midnight and draw-distance 200. There are illuminated lines and large arrows on the ground showing the way. Head over and take a look before this installation closes to the public in about two weeks. You will not want to miss it!

Photographs by Tutsy Navarathna