art in july

art in july

There is so much going on in the Second Life art world right now, it’s hard to keep up. Besides the installation The Swamp (image of Bloody Hands – The Church avatar above, free at landing), by Meilo Minotaur and CapCat Ragu, the photograph exhibit Loss, by Senna Coronet, and the permanent Gallery M show The Other, by Mich Michabo, at my own gallery Berg by Nordan Art, there are some excellent art shows all over the grid.

There are two new shows at UTSA ArtSpace, curated by constructivIST Solo and Igor Ballyhoo; a collection of photographs by ◦⊱ Mi ⊰◦ and an installation by Romy Nayar. The new nineteen large mostly color, and a few black and white, photographs on display here by ◦⊱ Mi ⊰◦ are taken at The DNA Tower (Igor Ballyhoo), The Sacrificed Angel (Igor Ballyhoo), The Joy Formidable (Livio Korobase), Penumbra (CapCat Ragu and Meilo Minotaur) and Empty Minds (Romy Nayar). They fit so well in the beautiful gallery build created by Igor. To me, each of ◦⊱ Mi ⊰◦’s images has a dream-like quality, which draws me in and consistently holds my attention. There is a painterly quality to her work, which I think at this point has become a major aspect of her style. Bravo, ◦⊱ Mi ⊰◦, such a strong collection. I never tire of looking at your photographs.

The installation Lamento by Romy Nayar consists of three parts. There is a small build in the gallery itself and two other parts accessible via teleport. Each little build consists of various figures, mostly women I think, that are part of a scene, displaying some form of metaphor. It’s hard to immediately grasp the meaning of these scenes, which all seem quite subjective, all in one way or another perhaps dealing with sadness or grief. To me, Romy’s work is becoming more and more surreal, which I like. There was always something magical about her installations and that has not changed.

There is a new exhibit, Creatures of Light, by Harbor Galaxy, curated by Ux Hax and Romy Nayar, at MetaLES. There are twenty large color images on display by Harbor in the intriguing MetaLES space. The space consists of a floor and walls enveloped in a solid, black velvet-like texture and a ceiling adorned with black and white geometric 3D shapes; dispersed in rows throughout are tall, white street-light-shaped poles. Ux and Romy, the talented curators of this place, continue recognizing that the environment housing the art plays an integral part of the overall display and presentation. Love it. It’s very modern and very much immersive virtual art. It struck me, when first viewing Harbor’s images from a distance, that they remind me of something the abstract expressionist painter Jackson Pollock could have created. Looking closer, however, there is much more to it than that; the subject, lines, light and colors merge invisibly somehow. This is a change for Harbor from her previous style. She notes that [f]or those of you who are familiar with my work through Flickr or shows here inworld…CREATURES OF LIGHT may be something of a departure from my usual style. My objective was to use an avatar devoid of ornamentation and to only utilize poses, light and color to create these pieces and to give myself permission to play and to step outside my comfort zone. So great, Harbor; I am in awe of your utterly new and courageous  approach to virtual images.

There is a new exhibit, Absences, by Melusina Parkin, curated by Dido Haas, at Nitroglobus. Most of us know the images by Melusina from Flickr, where she regularly posts series of five or six photographs that display various themes. Her work is minimalist and I believe barely processed with any kind of photo-tools outside of Second Life. There is something incredibly captivating about viewing her series as each image provides a hint of an idea, but it is really the whole, all images in the series together, that leaves one with a lasting impression. The twelve large color images on display in the Nitroglobus address lack, specifically as it pertains to Second Life. Melusina notes about her exhibit that [a]bsence is a negative concept: it means that something should be there and it doesn’t. So, when we look at an empty place – a room, a seashore, a road or even a chair – we can’t avoid thinking of something or somebody who has been or will be there. That’s even more true when a world, including nature and landscape, is entirely made by humans, like Second Life does…[o]n the other hand, looking at empty spaces is stimulating: when humans aren’t there they can be everything. I love imagining what has happened in a place when people has gone. Or what will happen when it will be populated by people. Spaces and objects shape our behavior: they are the limits or the starts of our actions and of our imagination. This is a wonderful exhibit that should not be missed. Melusina’s photographs fit so beautifully in the Nitroglobus gallery, both compliment each other. Head over and take a look.

Let me end with a few comments about other noteworthy art events. The talented Imani Nayar has a new show, My Furillen, curated by Serene Footman, at Furillen. The exhibit Her and Him, by Hillany Scofield, at dathuil, has been extended over the summer months. There is a new multi-artist show, Beautiful Bizarre, at DaphneArts Gallery. DiXmiX Gallery had an opening of a retrospective group show, Best of 2016-2017, yesterday. There are regular rotating exhibits and weekend-themed events at the gallery Blue Orange, the most recent one, Vintage Circus Freak Show. Last, but not least, the Itakos Gallery has been awarded a LEA grant and the gallery relocated to a new sim, the LEA16 Itakos Project. The opening of the new location will take place tomorrow, Sunday, July 16, at 2PM SLT, make sure not to miss it.

As always when it comes to these monthly art reports, I feel I need to point out that there just is not enough time in the day to cover every exhibit. So there are great Second Life art shows out there that I didn’t cover, my apologies. Let me mention here also that I have rarely experienced as vibrant an art world as we see it right now in our metaverse. More than ever before, we see sim-sized installations and photograph exhibits of incredible quality, all pulled together in collaboration by visionary artists and compassionate curators. We are not getting any kind of monetary reward for doing this, we are all driven simply by the pleasure of creating and sharing art. Bravo, thank you to all and keep it coming!

Photographs by Kate Bergdorf
Exhibit posters by respective galleries and artists

art in june

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There is certainly no lack of art exhibits in Second Life during this first month of summer.  Besides the recently opened The Swamp , by Meilo Minotaur and CapCat Ragu, the photograph exhibit MYdigliani by daze Landar, the permanent works at Gallery M by Mich Michabo, all at Berg by Nordan Art, there are several exhibits, as well as at least one major new sim-sized installation, to explore.

My first stop today is at dathuil where we find the exhibit Her and him, by Hillany Scofield, curated by Lucy Butoh and Max Butoh. This collection of photographs is the second part of a collaboration with moon Edenbaum, who showed his exhibit me_you here last month. I think there are sixteen color images here; some of them are very creatively mounted in the ceiling, I got dizzy counting, but I think I got it right. I really like this exhibit by hill.s. Not only do the images beautifully correspond with the works by moon, but they also convey a completely different kind of intimacy. hill.s notes about her exhibit that [o]n a day like any other she walks into that little café on the corner. She knows it`s never crowded at this time of day. when she grabs a coffee and her favorite lemon pie on her way home. But this day is unlike the other days and this man is unlike any other she had seen around here. And his presence felt different to all the others…. Each picture here truly does offer a peek into what feels like a deeply personal moment that is part of a story. There is also something homely about these photographs that I utterly adore. Head over and take a look before the exhibit closes on June 30.

There are two exhibits, one by Cipher and the other by Peep Sideshow, curated by CrankyGrit, in two small galleries on the newly opened sim The GoodLife.  The little galleries are located right after you enter the sim, nested in decayed builds, one on the left and on one the right hand side of the street. Both spaces are intimate, displaying a handful of really good images by each photographer. Looking forward to more art exhibit on this sim, this is a great start.

Sina Souza is showing a collection of her own most favorite photographs at the Art Gallery The Eye. I’ve seen all these images before, but honestly,  I never really tire of Sina’s work. Her painterly surrealist style always leaves me wanting more. Head over and take a look at these photographs, I am not really sure how long they will be up. Make sure to also check out Sina’s new work Mental Levels currently at MetaLES if you haven’t already.

Last, but certainly not least, there is an incredibly complex and beautiful installation, Flash Forward/Flash Backward, by Giovanna Cerise, curated by Dividni Shostakovich, at Split Screen. This is a multi-layered work, consisting of six connected parts; Dream, Point of View, The Desire, Lightness, The Impossible Choice and The Birth.  All parts are accessible either by walking through the build itself or teleporting from one part to another. Extensive information about the exhibit, including landmarks to each space, is provided at the landing point. Wandering through this maze-like structure made me feel like I was part of a dream. There were times when I took a wrong turn and felt lost, but then found my way again. The surrounding flickering, shifting images and colors further contribute to the experience of being in a dream state. Giovanna notes about her work that it encompasses imagery from the past, present and future: Everything appears and disappears, in a game in and out, in the will to create alienation effects, restlessness, suspended in an allusive and visionary atmosphere. In this wandering, however, intimate glimpses appear as flashes that isolate and force them to stop. They are moments of stasis, breaks that interrupt the anxiety of trying. Objects that are reflected or evanescent figures metaphorically produce in the present vague suggestions. The installation, formed for the most part from simple geometric elements , is thus presented as a destructured form, almost shapeless with the intent to create chaotic and changing moments. Inside there are spaces that vanish in the complex but depending on the angle they are perfectly visible. A fantastic show, great in every detail, bravo Giovanna, really. Head over and take a look before the installation closes on July 31.

There are many other exhibits I did not cover here because there is simply not enough time. Let me just mention here though Itakos Art Gallery and DixMix Gallery, both of which always have regularly rotating photography exhibits by great artists. Also, rumor on the street has it that there is a great new group show coming up at UTSA ArtSpace (I know my friend ◦⊱ Mi ⊰◦ will part-take) so please be on the lookout for announcements.

Photographs by Kate Bergdorf

one family and art

Having an art sim I am fortunate enough to get to know the people who exhibit their work there. Everybody has a story and for a short moment we become part of each others’ stories. Some of the stories linger, or come to an end, others keep evolving. As of late, I find myself becoming a small part of a story so rich and meaningful that I want to share a part of it here. This is the story of a Portuguese family consisting of Meilo Minotaur, CapCat Ragu, Takio Ra and Rita Eustáquio. Meilo, in the middle in photo above, is the mother of CapCat, left in the photo. CapCat and Takio (right in the photo) are married and have a daughter, Rita. Rita does not yet have an avatar, and is not depicted above, but rumor has it that she is thinking about creating one soon. Meilo  and CapCat have been producing art in Second Life since 2008. Most of you probably know them as the creators of the sim Delicatessen. As of this year, they are also permanent resident artists at Berg by Nordan Art. Their first installation, in January 2017, was Penumbra and opening tomorrow, The Swamp. Remarkably, all four contribute to these installations. It is a joint family art project. While CapCat and Meilo create the visible work (terraforming, building, avatars, etc.), Takio is responsible for the sound and Rita does voice. The Swamp is dark and unsettling, a powerful metaphor for fascism inspired by Cap’s and Meilo’s first hand revolution and post-revolution experiences in Portugal; I’ve been told that sound and voice are a particularly important aspect of this work, so when you visit, please make sure to turn it on.

CapCat (Catarina Carneiro de Sousa) successfully defended her thesis Virtual Corporeality and Shared Creativity and received her PhD in April this year. She also published an article, Mom and Me Through the Looking Glass, in Metaverse Creativity in 2012. Her article examines the collaborative work of CapCat and Meilo in Second Life, integrating the notion of shared creativity; [t]he aim is to describe and analyse their cooperative creative process from the perspective of one of the artists/authors, walking through three artistic works that were made in the Second Life® region of Delicatessen: ‘de Maria, de Mariana, de Madalena…’, ‘Petrified’ and ‘Meta_Body’. These projects reflect two aspects of the artists’ work on the one hand avatar art, and on the other the creation of virtual environments. The text also reflects on the concept of shared creativity, which the artists propose through their avatar creations. The article is worth reading in its entity as it is a great source of information for Second Life residents, artist and non-artists alike. It is also beautifully written and in so many ways mirrors the work by Cap and Meilo that we see in-world.  To me, the work of these two women (and Takio and Rita) reflects the essence of metaverse creativity and, no doubt, they are virtual world artist pioneers. I leave you here with a quote from the first part of CapCat’s article:

We are two metaverse avatars. We are also mother and daughter; I am CapCat Ragu and Meilo Minotaur is my mother in real life. We are both artists, and as artists it seems that all through our lives we have been dealing with the same issues that we are now working on together in the Metaverse. When I was a little girl I used to love the Carnival holiday. In Portugal this is a time to dress up, and to imagine ourselves as the other… I remember my mother staying up all night working on these amazing seethrough butterfly wings for me. I think that these were the first avatars we ever made together.

 

Photographs by Kate Bergdorf

coming up at berg by nordan art

There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.

Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October.  Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.

Poster of The Swamp by CapCat Ragu
Photograph by Kate Bergdorf

art in may

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As always when it comes to new art in Second Life, there’s plenty to see. There are at least three photograph exhibits that opened this month. We also have a new installation, Fade Away, by the ever-productive and talented Cica Ghost that opened on May 5. Cica offers a quote by Bob Dylan as a theme: Some people seem to fade away but then when they are truly gone, it’s like they didn’t fade away at all. As so often when it comes to Cica’s work, we are not provided with any kind of extended artist statement from her end. But it doesn’t really matter, of course, as we can certainly derive our own interpretations from what we see. Fade Away comes in various shades of grey. Almost completely black trees, other kinds of dark vegetation, massive grey rock formations, as well as groups of solemn, hooded figures that are dispersed throughout, lending this space a feeling of hopelessness. There are single figures standing around too, some of them appear close to transparent, perhaps hinting at the passing of life. There are clocks dispersed throughout, indicating time, or, a loss or lack of time. Segments of fences are placed throughout, maybe suggesting a division of sorts. As commonly seen in Cica’s work, we also have little scenes scattered throughout, inviting us to take a closer look in order to find meaning. It seems this installation deals with questions about mortality and relationships, the passing of time perhaps, but I am not sure. These are just some feeble attempts from my part to make sense of it. Head over and take a look for yourself at this dark and very beautiful exhibit.

There’s a new exhibit, a Romance in Brooklyn, by Isa Messioptra, at Mirage Gallery, that opened yesterday and will be open for the next month. This is a great little gallery, set on the sim Mirage, owned and curated by Nicasio Ansar. The space itself consist of a maze-like set up of metal structures with divisions, a great back-drop for this playful exhibit by Isa. There are twelve large color images part of this show; with names like let him do the guessing, ….“only one drink though,” share a cab, and ok 3 drinks, each and every one of these photographs is subtly seductive and only leaves the viewer wanting more. Bravo Isa, a cool and sexy exhibit with great energy. A breath of fresh air for sure!

One of my all-time favorite Second Life artists, Sina Souza, has a new exhibit, Mental Levels, at MetaLES, curated by Ux Hax and Romy Nayar. Sina, who started producing art in the virtual world in 2012, also has her own gallery, Mind Factory. The images in the current exhibit at MetaLES are displayed in large black boxes, all positioned on different levels. I counted eleven boxes altogether and each level connects with stairs. The photographs contained in them are bold and strong. To me they feel like they have been painted, but they have not. This artist often addresses in her work societal issues and we see some examples of this here with works like democratic suicide or in the tact of society. A wonderful exhibit Sina, and it is great to see you work in-world again.

Finally, I just had to make a last stop to check out the exhibit by Magic Marker, curated by Sorcha Tyles, at the Artful Expressions Gallery. I believe this is the first exhibit by the talented Miss Marker. This show consists of nine photographs; one in black and white and the rest in color. Magic uses in her photographs vibrant colors, captivating poses and props which she combines to achieve a unique expression that is easily recognizable as hers. Her work is energetic, fun, and full of passion.

Photographs by Kate Bergdorf

Le serpent qui dance

For the past few weeks I’ve been completely caught up in finishing a collection of photographs for an upcoming exhibit at Itakos. The exhibit, The Dancing Serpent, inspired by the poem with the same name by Charles Baudelaire (Fleurs du Mal, 1857), is curated by Akim Alonzo. The opening is this Sunday, May 14, at 1:30PM SLT.

Baudelaire’s poem Le serpent qui dance is playful, filled with erotic symbolism and metaphor; it is an ode to desire and longing, no doubt, sexual and otherwise. It consist of nine parts. As the themes for my ten photographs I picked one sentence from each part, as well as the name of the poem itself. There are at least twenty translations of Le serpent qui dance; I ended up choosing the version by William Aggeler, translated in 1954.

Putting together this exhibit led me down a path of self-examination. I came up against content issues where I questioned my use of the female subject as a nude. I realized finally that adding a male subject in some of the images would add a much-needed tension. Also, during the weeks that I worked on this virtual world project I simultaneously had several deadlines in real life that needed to be met. I had to seriously consider the importance of time and how it was spent. I reached the conclusion that the process of creativity, regardless if in real life or virtual life, could only aid me in the sense that it provided a welcomed escape from too much thinking. Lastly, I questioned the meaning of the virtual world Flickr photography itself.

About virtual world Flickr photography then. I showed my ten completed photographs to several friends, all of whom I respect in part because they are talented virtual world photographers who I know will not hesitate to offer constructive criticism. I was pleased with their feedback and, yes, relieved, because like so many others, I never really know if my work is any good. I then showed the images to a friend who is a real life photographer, but does not himself have a Second Life Flickr account. He simply refused to comment. Once I got over his frustrating lack of response, I started pondering what some of his reasons for not commenting may have been. He did not want to offend me with negative feedback, could it be that simple? His only observation, which was something like “everybody on Flickr will love it,” referred to the fact that nude virtual world images receive a disproportionate amount of attention on Flickr? Or could it be that he had actually failed to comprehend that a photograph is a photograph, regardless if taken in real or virtual life? I don’t think I will ever know, but I believe this perhaps nicely illustrates a common reluctance of “real life” photographers to embrace and accept the newness and, yes, modernity, of virtual world Flickr photography. If I sound defensive, it is because I am. But it is not about my work, it is about feeling protective of virtual world Flickr itself. Because rarely in my life have I seen as much creative talent in one place as I have seen there.

This post ended up being much longer than I thought, lots of rambling here. Thank for reading all the way through if you did. Also, and finally, thanks to Akim, an excellent curator, for asking me to show at your beautiful gallery. Thank you also very much to Tutsy Navarathna and Huck Hax for posing; I honestly can’t think of two more patient posers. Thanks to pose makers Del May (Del May Poses) and Olivia LaLonde (Le Poppycock) for your incredible poses, without them, these images could never have been produced.

Poster created by Akim Alonzo

two exhibits

There are two excellent exhibits on the grid, both opening later today. The first one at dathuil, me_you, by moon Edenbaum with Hillany Scofield, curated by Lucy Butoh and Max Butoh (and a little bit by me), takes place at 12 PM SLT. We find here thirteen large photographs in color depicting subjects in various scenes that offer a glimpse into the lives of three characters in a story. moon notes about the exhibit that [a] woman and a man meet. they get closer, eventually they become lovers, but soon their inability to communicate leads to their split. The exhibit is a collaboration between hill.s and moon and next month we will see hill.s’ perspective at dathuil as well. This is a great, fresh concept; the images pull the viewers in and leave us wanting more. The photographs are gorgeous and in the typical, and at this point so recognizable, Edenbaum-style; realism at its best. Come join the opening today, and if not possible makes sure to visit before the exhibit closes at the end of the month.

The second outstanding exhibit opening today is at the Itakos Gallery, Subtle Scents of Solitute, by Imani Nayar and curated by Akim Alonzo. It opens at 1:30PM SLT. Let me just mention here again how much I enjoy the layout of this gallery; the austere and non-intrusive space is incredibly suitable for the display of photography (read more here). The exhibit itself consists of thirteen color as well as black and white photographs depicting single subjects. The talented Imani succeeds in combining composition, avatar posing, hues of color and shades, as well as blur, to create a tangible sense of loneliness and/or of solitude in every single image here. Describing her exhibit, she quotes the author Kent Nerburnloneliness is like sitting in an empty room and being aware of the space around you. it is a condition of separateness. solitude is becoming one with the space around you. it is a condition of union. loneliness is small, solitude is large. loneliness closes in around you, solitude expands toward the infinite. loneliness has its root in words, in an internal conversation nobody answers. solitude has its roots in the great silence of eternity. I don’t think I am alone feeling touched by Imani’s work. Her photographs just feels so acutely real.

Photographs by Kate Bergdorf

two installations

There are two excellent installations to be seen in SL presently; Duality, by Igor Ballyhoo, at Blue Orange, and Empty Minds, by Romy Nayar, on MetaLES. The former just recently opened, the latter has been up for a few weeks already. Let me just comment briefly here on the art venues as well. MetaLES, an old-timer by now in the SL art world, continues to consistently present us with excellent art. Spearheaded by Ux Hax and Romy Nayar, this virtual art space has become a SL classic. I always find myself looking forward what they will show next. Blue Orange, the newish kid on the block, has succeeded to set and maintain high standards for their exhibits as well. I wandered through the gallery today and was impressed by the variety and quality of the art of the current exhibitors Theda Tammas, Igor Ballyhoo, Cica Ghost, Rebeca Bashly, Jarla Capalini, Gitu Aura, NicoleX Moonwall, and Ini Inaka. Bravo to the talented Blue Orange curator Ini Inaka for an art space so beautifully and creatively put together.

Igor invited me to stop by yesterday to check out Duality. A glass stair way leads up to a large build of hollowed-out cement cubes connected by metal pipes.  Contained in this construct is a pair of avatar-sized figures. Surrounding all this is a flow of moving neon text. Igor is a stellar builder, self-taught as many of us in the virtual world, who at this point has reached level of mastery that is hard to surpass. He uses his building skills to express symbolically thoughts about things, often controversial in nature, but not always. The build Duality expresses our conflicting experiences with the virtual and the real. Here is an excerpt from our conversation:

[2017/04/26 12:18] Igor Ballyhoo: it is contemplation of our two existances
[2017/04/26 12:18] Igor Ballyhoo: RL and SL
[2017/04/26 12:19] Igor Ballyhoo: we are one being in our minds
[2017/04/26 12:19] Igor Ballyhoo: yet our common sense make us keep this two worlds separated
[2017/04/26 12:19] Kate Bergdorf (KateBergdorf Resident): yeah
[2017/04/26 12:19] Kate Bergdorf (KateBergdorf Resident): so it is about the virtual and the real
[2017/04/26 12:19] Kate Bergdorf (KateBergdorf Resident): and the two and the one
[2017/04/26 12:20] Igor Ballyhoo: so we are struggling to get out and keep reality
[2017/04/26 12:20] Igor Ballyhoo: yes, it is duality
[2017/04/26 12:20] Kate Bergdorf (KateBergdorf Resident): it is and it isn’t though
[2017/04/26 12:20] Kate Bergdorf (KateBergdorf Resident): that is why we are so preoccupied with it, no?
[2017/04/26 12:20] Igor Ballyhoo: what do you mean
[2017/04/26 12:21] Kate Bergdorf (KateBergdorf Resident): i often find myself thinking both
[2017/04/26 12:21] Igor Ballyhoo: we are struggling to keep two realities separated
[2017/04/26 12:21] Kate Bergdorf (KateBergdorf Resident): that the virtual and real world lives are separate
[2017/04/26 12:21] Kate Bergdorf (KateBergdorf Resident): but also the same
[2017/04/26 12:21] Kate Bergdorf (KateBergdorf Resident): i think we might be talking about the same thing lol
[2017/04/26 12:22] Igor Ballyhoo: yes, work is pretty obvious I think

Head over and check out Igor’s and the other artist’s work at Blue Orange (make sure to set to Midnight and Ultra when viewing Duality). All these exhibits are a feast for the eye.

I revisited Empty Minds today. I had been already when it first opened, but didn’t have time to blog about it then. This is another gorgeous work by Romy; I recognize the set-up, the little scenes with stories, from her previous works. Throughout the hilly, sim-sized layout we find here figures in groups, sometimes by themselves, with large empty bubble heads. They are involved in all kinds of activities, some carry with them lanterns, perhaps to shed light on which path to take next. Romy notes about her work that [i]t is made known that if an idea is born in your empty mind, you must come to disregard it. Nobody knows why. The origin of that idea was lost. Maybe you’ll be the first to have the idea to not to discard your ideas.  This is once again a sublime installation by this talented artist. Head over and take a look and make sure to grab one of the free avatars before you leave.

Photographs by Kate Bergdorf

Hot off the press: Berg by Nordan Art 2016

I am pleased to report here that we finally finished the new Berg by Nordan Art gallery retrospective book, Berg by Nordan Art 2016. This work would not have been possible without invaluable help by the ever so patient Huck Hax. It is always great when done with a big project like this and then spend time looking though what one has accomplished. Reflecting on the past year, I am so proud of what we have achieved with the gallery. The outstanding artistic contributions by Igor Ballyhoo, Livio Korobase, ◦⊱ Mi ⊰◦, Imani Nayar, Haveit Neox, Mich Michabo, and Maloe Vansant speak for themselves. Thank you also to some of the many photographers who visited the gallery and took pictures of the art and let us use them for the book; Bay Addens, Midwinter’s Art, NawtyBiker, ◦⊱ Mi ⊰◦, Miles Cantalou, and neko Makamori. A special thank you to Tutsy Navarathna who also contributed the beautiful cover photos. We hope you will enjoy the new publication Berg by Nordan Art 2016 as much as we have. You can read it by clicking the link above or visit Berg by Nordan Art in-world where you will find it on the table on the gallery ground floor together with our two previous retrospective publications from 2010-2011 and 2015.

Book cover photograph by Tutsy Navarathna; cover design by Huckleberry Hax

Art in April

In addition to our own exhibits at Berg by Nordan Art, Penumbra, by CapCat Ragu and Meilo Minotaur; MYdigliani by daze Landar and The Other, by Mich Michabo, we have lots of stuff going on as usual in our virtual art world this month. But I will start of with work created outside Second Life in this post, namely the fine art by talented painter and photographer Indigo Claire. I usually don’t blog about non-virtual art here, but I am making an exception because I fell in love with Claire’s pictures. I am so glad she decided to open her own little gallery, .indigo box, in Second Life. Its a very dreamy two-floor exhibit space in a white box, showing 20 images, containing in the center a few clouds with rain, seating, a few poses and some Queen Ann’s lace bunches of flowers. Congratulations Claire, really well done, everybody should head over and visit!

We have a great new group exhibit, The Endless, at Daphne Arts, curated by Angelika Corall and Sheldon BeRgman, that opened on April 8, 2017. Angelika notes about the theme of the show that The Endless are a group of fictional beings appearing in the comic book series The Sandman, by Neil Gaiman, and published by DC Comics. The characters (Destiny, Death, Dream, Destruction, Desire, Despair and Delirium) embody powerful forces or aspects of the universe. The outstanding group of artists contributing to this show are Ariel Brearly, Awesome Fallen, kiki, Maloe Vansant, Nevereux, Paola Mills, and Whiskey Monday. Let me also say here that the gallery space itself gets better and better. I just love the way this pair of curators continuously evolve in the way they consider art display. Great work.

Then we have once again a stellar exhibit at dathuil, this time by Lulu Jameson, as usual curated by Lucy Diamond and Max Butoh, that opened on April 9. I love everything about this show, the images, as well as the set-up. We find here 30 photographs by the talented Lulu, a mix of color and black and white, a selection of studies of avatars and portraits. Lulu provides a quote by Roald Dahl that captures the dreamy quality of his exhibit; And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it. The images in this show are carefully displayed, they come in various sizes, all beautifully framed with the title of the photograph noted separately below. Great ambience here, really well done. Head over and take a look before the show closes on May 5.

Last, but certainly not least, we have a new installation, Glass Jars, by Art Oluja, displayed on LEA11. This is a large underwater installation, filled with places to explore. Art describes this work as follows: This is an experiment in containing thoughts, emotions, and memories into visual and aural landscapes for you to explore. I hope you enjoy the experience as much as I have creating it. Much of the inspiration for Glass Jars comes from G. Bachelard’s “The Poetics of Space,” R. Grudin’s Time and The Art of Living,” and a short animation film called “The House of Small Cubes.” Sound is an important aspect at Glass Jars, so please turn your sounds on (and up). All of the soundscaping and musical effects you hear around the region are the result of a collaborative experiment with Klaus Bereznyak, who uses percussion and woodwind to creatively reflect the vision and concept of Glass Jars. We used Audacity, a free open source digital audio editor, to manipulate the sounds before uploading them inworld. They are layered across the landscape in a way that the experience becomes uniquely different to each person, depending on how you explore the installation. These organic expressions literally echo the metaphors and emotions of the work. The rain washes over you, tapping away your thoughts, the wind inhales your uncertainties. Take a deep breath, dip into the water. and drift away under the tides. Head over and take a look and be prepared to spend some time exploring this underwater space. Region windlight is suggested for optimal experience.

Photographs by Kate Bergdorf