Laurie Anderson: A Virtual Reality of Stories

Please click the link below to see one of the most outstanding contributions to virtual art/machinima that I have seen to date, The Chalkroom, by Laurie Anderson. Thank you moonie, for making me aware of it.

Explore Laurie Anderson’s ‘Chalkroom’ – a new artistic discovery in virtual reality – and learn what it feels like to navigate through an exciting universe of drawings and stories while flying around disembodied and free.

Source: Laurie Anderson: A Virtual Reality of Stories

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Marina Münter: A Talk About Non-Perishable

Marina Münter’s Non-Perishable, currently at Berg by Nordan Art, has been up for about a week. We have received great feedback and there are some incredible images in our Non-Perishable Flickr group. We will have an informal talk about the exhibit on Sunday, September 10, at 11AM SLT, where Marina will discuss her work and answer questions. We would like for this to be a talk about Non-Perishable specifically, but also about art, virtual and otherwise.

Marina’s Non-Perishable strays from the traditional notion of a virtual art installation. She notes that I realized that I was putting up an exhibition that could have been done in RL and I actually searched for more realistic objects. The immersive experiences I’ve seen in SL tend to be more surrealistic. That is not what I am trying to do with my work. Marina has used objects by established SL content creators for her exhibit and successfully created with these both the inside stories in the five containers as well as the dock-inspired surroundings. She further notes that I’m not there to claim that I am the creator of these objects, I’m there to give them a purpose, insert them into a context. Taking the immersive installation process one step further, Marina invites visitors to take images using their own avatars within one of the five containers. The virtual images by visitor avatars in the containers have become an important extension of the exhibit.

Come join us if you can on Sunday at Berg by Nordan Art for what promises to be an intriguing art talk. Marina will speak about her work and answer questions and I will moderate, all in voice. We ask that the audience please write their questions in chat and we will answer them in the order in which they are received. See you then!

Poster created by  Marina Münter

Non-Perishable: An Exhibit by Marina Münter at Berg by Nordan Art

Marina Münter and I were just recently introduced by a mutual friend. Pretty much immediately after we had exchanged only a few words we embarked upon a whirlwind of planning and action for a new art project at the gallery. Marina’s exhibit, Non-Perishable, will open at Berg by Nordan Art on September 1, 2017, at 2 PM SLT. Her installation consists of five containers in different colors placed upon a cement slab attached to a floating pontoon. Each container holds various objects and all, except for one or two of them, are in the same color as the container itself. Throughout her work on this immersive project, Marina and I chatted intermittently. Below find excerpts from our exchange.

[2017/08/25 12:09] Kate: there are like little stories in each space?
[2017/08/25 12:09] Marina Münter: yes
[2017/08/25 12:10] Kate: great for photography too, little scenes
[2017/08/25 12:10] Marina Münter: yep
[2017/08/25 12:10] Marina Münter: it started like a photo project for myself, but then started growing

[2017/08/27 16:22] Marina Münter: I think working with the subject of memory is always interesting, makes it more personal
[2017/08/27 16:22] Marina Münter: and even with those objects I can relate to something from my life or a mood, feelings of a memory as well, if it makes sense for you
[2017/08/27 16:22] Kate: yes
[2017/08/27 16:23] Kate: the objects become the language
[2017/08/27 16:24] Marina Münter: the green container is a trap
[2017/08/27 16:25] Marina Münter: once you get it you can’t go out
[2017/08/27 16:25] Marina Münter: literally
[2017/08/27 16:25] Kate: omg i thought it was my lag lool
[2017/08/27 16:25] Kate: heeeeeellllllp!!
[2017/08/27 16:25] Marina Münter: hahahaha
[2017/08/27 16:25] Marina Münter: need to fix that
[2017/08/27 16:25] Kate: mabye not 😀

[2017/08/27 16:32] Kate: have you showed art in SL before or is this the first time?
[2017/08/27 16:33] Marina Münter: it is my first time here in SL, but in RL I was part of a collective exhibition of photography back in 2009
[2017/08/27 16:40] Marina Münter: my mother is an artist, and I grew up between exhibitions and installations
[2017/08/27 16:40] Kate: so it’s in your blood
[2017/08/27 16:40] Marina Münter: and I have this thing that I don’t see myself as an artist because no one really want to be like their parents haha
[2017/08/27 16:40] Marina Münter: it is a real struggle for me
[2017/08/27 16:40] Kate: true you want to do your own thing lol
[2017/08/27 16:40] Kate: yes i can imagine
[2017/08/27 16:41] Marina Münter: for the first time, with this exhibition now, I am allowing myself to be an artist
[2017/08/27 16:43] Marina Münter: the moment I told myself “ok, let’s do it” was when I found out a way to take better photos with my laptop
[2017/08/27 16:43] Marina Münter: and then is labor
[2017/08/27 16:43] Marina Münter: repetition
[2017/08/27 16:43] Kate: yes
[2017/08/27 16:43] Marina Münter: because if you have, for example, an empty glass
[2017/08/27 16:44] Marina Münter: you can pour water
[2017/08/27 16:44] Marina Münter: drink it, then maybe use this glass to organize pencils
[2017/08/27 16:44] Marina Münter: or make a small garden in it
[2017/08/27 16:44] Marina Münter: break it and glue the pieces together
[2017/08/27 16:44] Kate: yes
[2017/08/27 16:44] Marina Münter: pile a bunch of glasses together
[2017/08/27 16:45] Marina Münter: the possibilities are infinite
[2017/08/27 16:45] Marina Münter: and I really think that the choices you make towards the subject are who you are
[2017/08/27 16:45] Marina Münter: the luggage you bring
[2017/08/27 16:45] Kate: so once you start doing it you know at some point where it will end or what it will become
[2017/08/27 16:45] Marina Münter: oh no
[2017/08/27 16:45] Kate: yes a subjective process
[2017/08/27 16:46] Marina Münter: I never know how it will end
[2017/08/27 16:46] Marina Münter: but I know from the moment it is done I want to get rid of it
[2017/08/27 16:46] Marina Münter: haha
[2017/08/27 16:46] Kate: you need to rid yourself of it lol
[2017/08/27 16:47] Kate: a really meaningful process, also hard, that you are going through right now then
[2017/08/27 16:47] Marina Münter: oh yes
[2017/08/27 16:47] Marina Münter: I am really obsessed with it
[2017/08/27 16:48] Marina Münter: started working on it from the moment I received the containers
[2017/08/27 16:48] Marina Münter: and didn’t really stop since
[2017/08/27 16:48] Kate: and you’ve been writing about this also
[2017/08/27 16:49] Marina Münter: lines
[2017/08/27 16:49] Marina Münter: I write lines
[2017/08/27 16:49] Kate: part of poems perhaps
[2017/08/27 16:49] Marina Münter: not sure
[2017/08/27 16:49] Marina Münter: maybe confessions
[2017/08/27 16:49] Kate: but they belong with the containers
[2017/08/27 16:52] Kate: its like sorting through chaos somehow
[2017/08/27 16:52] Marina Münter: yes
[2017/08/27 16:52] Kate: there is really nothing like the creative process to sort your feelings
[2017/08/27 16:52] Kate: you just get so caught up in it
[2017/08/27 16:53] Marina Münter: yep
[2017/08/27 16:53] Marina Münter: you grab them by the horns
[2017/08/27 16:53] Marina Münter: I can’t remember who told me that the first time but I try to keep that thought with me
[2017/08/27 16:53] Marina Münter: grab by the horns
[2017/08/27 16:53] Kate: tackle things

[2017/08/27 17:06] Marina Münter: so the containers are what i ended up using because I was born and I live in a port city
[2017/08/27 17:07] Marina Münter: I always see those bad boys being carried away or at the traffic jam
[2017/08/27 17:07] Kate: yes
[2017/08/27 17:08] Marina Münter: and I kept thinking what on earth are they carrying
[2017/08/27 17:08] Marina Münter: and have you seen a port before?
[2017/08/27 17:08] Marina Münter: it is amazing
[2017/08/27 17:09] Kate: well there are a lot of ships and a lot of hustle and bustle
[2017/08/27 17:09] Marina Münter: and the colors are intense
[2017/08/27 17:09] Marina Münter: the smell of fuel and salt
[2017/08/27 17:10] Kate: yes
[2017/08/27 17:10] Marina Münter: so I decided to put stories inside those containers now
[2017/08/27 17:11] Marina Münter: make them home of beautiful and disturbing things
[2017/08/27 17:11] Kate: make them alive somehow i guess too
[2017/08/27 17:12] Kate: this is really about subjectivity again
[2017/08/27 17:12] Kate: making objects subjective
[2017/08/27 17:14] Kate: well i imagine the content of each container is a collection of memories that come together and each create a story that doesn’t really have a name, but there is a feeling
[2017/08/27 17:14] Marina Münter: yes, you got it
[2017/08/27 17:14] Kate: we don’t really need to name things
[2017/08/27 17:14] Kate: naming is overrated lol
[2017/08/27 17:14] Marina Münter: but it is all there
[2017/08/27 17:14] Marina Münter: haha yes
[2017/08/27 17:15] Marina Münter: one of the things I like the most about contemporary art is that you can relate to them
[2017/08/27 17:15] Marina Münter: you can feel something or not
[2017/08/27 17:16] Marina Münter: art is language for me
[2017/08/27 17:16] Marina Münter: so if they can speak to me through their work, fantastic
[2017/08/27 17:17] Marina Münter: sometimes it gets lost in translation

Marina will be exhibiting in the same Non-Perishable exhibit space photographs that she took of the five containers. She will be inviting photographers to take pictures and we will show some of these images also. Visitors are welcome to take pics too and we are creating a Non-Perishable Flickr group for people to show their work. In an effort to make this project as interactive and immersive as possible, poses will be available in addition to the chairs that are already in the containers.

Finally, a special thanks to, in alphabetical order, Agustkov, Irina Forwzy, Lux Chiantelle, Megan Prumier, moon Edenbaum, Pari Dolia, William Weaver and Zygo Decosta, all of whom were integral parts in putting together the exhibit. Hope you are able to join us for the opening of this extraordinary installation on Friday. Please be on the lookout for in-world announcements as well as Flickr posting for details. Landmark will be available on the day of the opening.

Photographs by Kate Bergdorf

art in august

isa

As readers of this blog know by now, I like to start my monthly art reports with updates on my own gallery, Berg by Nordan Art. We are currently showing the installation The Swamp, by CapCat Ragu and Meilo Minotaur, the photography exhibit Loss, by Senna Coronet, as well as the exhibit The Other (Gallery M), by Mich Michabo. All shows are accessible via teleport from the main gallery. Coming up in October, CapCat and Meilo have a new installation planned, one that will correspond with a real life exhibit. moon Edenbaum will show a photograph exhibit from October through December. More about this to come.

I finally visited Welcome to My Brain, by Isa Messioptra, curated by Lucy Butoh and Max Butoh, at dathuil. Essential to this exhibit are Phototools settings and detailed instructions are posted on the wall at the entrance. I’ve been wanting to see this exhibit for a while now, but have simply been too busy to make it. Upon arrival then, standing in front of a red wallpapered room containing a large brain, it hits me that dathuil has been completely transformed! This show is set on two levels, a new floor, walls and stairs have been installed. Isa notes about her work that [e]ver wanted to take a journey through the human brain? No, not really? Eew? Well too bad because I am going to make you. This new exhibit at Dathuil is different than anything I have worked on before. It is not just images but is intended to be an immersive experience. As you walk through the exhibit you travel through different chambers of the subconscious each completely different from the next much like a Fun House. In this exhibit I use light projection, reflective surfaces, mesh builds, photography, video, physics, animated textures etc. etc. The exhibit consists of several little scenes exploring unconscious experiences and corners of the brain. Intricately constructed displays and outstanding photography, bright colors, shiny textures, and light contribute to this being one of the most stellar exhibits I have seen this year. I bumped into Isa while I was visiting and she said about her work that I started experimenting with reflections and different animated surfaces so I figured I would pick the brain as a subject because it gives me license to do anything. Head over and check out this amazing exhibit, it will be open until the end of August.

The exhibit Selfies, by Burk Bode, curated by Fuyoko Amano (aka Wintergeist), at Club LA Gallery, opened July 30. The show consists of 16 large color portraits, contained in a large black box (suggested WL settings are Midnight or Ambient Dark). The photographs displayed here are sheer and layered, leaving the viewer with the sense of being in a labyrinth surrounded by multiple faces. About this exhibit, Burk notes that [c]hanging my look constantly as shapeshifter some of my shapes last for a day, for one picture, and some stay. A constant change, hard to keep as is this show. Hard to look at. Every look translucent and overlain by former or future versions of the “me.” I met up with Burk at Club LA, took some pics and we talked about his work.

[08:03] Burk Bode: I thought it would be nice to show some of the faces I made
[08:04] Burk Bode: as I was thinking of how to fill the box, I had the idea of making the pics translucent
[08:04] Burk Bode: so that you can see one face behind the other
[08:05] Burk Bode: like I do in my head
[08:05] Burk Bode: always the next idea already there while I still work on the actual one
[08:09] Kate: so this is really a representation of the images you see in your mind of people
[08:09] Kate: at the same time, multilayered
[08:09] Kate: its like thinking
[08:10] Burk Bode: yep
[08:10] Burk Bode: the split personality me
[08:10] Kate: well i think we all think that way somehow
[08:10] Kate: constant stimuli

A very cool exhibit and a must see. Head over and take a look before it closes in a week or so.

Split Screen, the installation art space curated by Dividni Shostakovich, received a six-month LEA Artist in Residence grant starting in July and is now located on LEA15. Congrats, Dividni! Currently on display as of yesterday are two new installations, EveryWhere and NoWhere by JadeYu Fhang, and The Games We Play by Krystali Rabeni. JadeYu’s work is the larger of the two and located on the ground level. Consisting of several small scenes on multiple levels, this complex work is made up of fantasy figures, ladders, metal beams, and chromosome-like shapes. There is movement, light and fog. The installation initially felt haphazardly put together to me. After a while, however, my impression of it being unfinished and random was replaced by a sense of immersion, a beautiful and purposeful chaos. Really well done, Jade. This installation can’t be rushed through, make sure to spend some time exploring. The work by Krystali consists of a huge chessboard, on it silver and gold chess pawns. Winged chess pieces are part of this installation as well, lending it a sense of movement and intrigue. Head over and take a look at these two installations before they close at the end of September.

There are a few other art events that should not be missed this month. Cica Ghost’s Future opened a few days ago. Her installation consists of a small, grayish island on which are positioned tall cement buildings, a large sea-animal observes the scene from the water. Cica provides about her work a quote by John Greene, “If you don’t imagine, nothing ever happens at all.” The installation Ripple, A Meditation on Waves, by Douglas Story & Desdemona Enfield (sonic environment by March Macbain a.ka. Emily Wilkins in RL), is a small visual sonic space where the visitor interacts with the environment. The Holly Kai Art in the Park August 2017 event features Dido Haas, Diamond Marchant, Cecilia Nansen Mode, Jes Mode and Fuyoko Amano (aka Wintergeist).

I know of at least two new shows scheduled to open at the end of August, both of them group exhibits. One at DaphneArts Gallery, curated by Sheldon BeRgman and Angelika Corall, and the other at IMAGO Art Gallery, curated by Mareea Farrasco. More of this to come in next month’s monthly art write-up!

Photographs by Kate Bergdorf

art in july

art in july

There is so much going on in the Second Life art world right now, it’s hard to keep up. Besides the installation The Swamp (image of Bloody Hands – The Church avatar above, free at landing), by Meilo Minotaur and CapCat Ragu, the photograph exhibit Loss, by Senna Coronet, and the permanent Gallery M show The Other, by Mich Michabo, at my own gallery Berg by Nordan Art, there are some excellent art shows all over the grid.

There are two new shows at UTSA ArtSpace, curated by constructivIST Solo and Igor Ballyhoo; a collection of photographs by ◦⊱ Mi ⊰◦ and an installation by Romy Nayar. The new nineteen large mostly color, and a few black and white, photographs on display here by ◦⊱ Mi ⊰◦ are taken at The DNA Tower (Igor Ballyhoo), The Sacrificed Angel (Igor Ballyhoo), The Joy Formidable (Livio Korobase), Penumbra (CapCat Ragu and Meilo Minotaur) and Empty Minds (Romy Nayar). They fit so well in the beautiful gallery build created by Igor. To me, each of ◦⊱ Mi ⊰◦’s images has a dream-like quality, which draws me in and consistently holds my attention. There is a painterly quality to her work, which I think at this point has become a major aspect of her style. Bravo, ◦⊱ Mi ⊰◦, such a strong collection. I never tire of looking at your photographs.

The installation Lamento by Romy Nayar consists of three parts. There is a small build in the gallery itself and two other parts accessible via teleport. Each little build consists of various figures, mostly women I think, that are part of a scene, displaying some form of metaphor. It’s hard to immediately grasp the meaning of these scenes, which all seem quite subjective, all in one way or another perhaps dealing with sadness or grief. To me, Romy’s work is becoming more and more surreal, which I like. There was always something magical about her installations and that has not changed.

There is a new exhibit, Creatures of Light, by Harbor Galaxy, curated by Ux Hax and Romy Nayar, at MetaLES. There are twenty large color images on display by Harbor in the intriguing MetaLES space. The space consists of a floor and walls enveloped in a solid, black velvet-like texture and a ceiling adorned with black and white geometric 3D shapes; dispersed in rows throughout are tall, white street-light-shaped poles. Ux and Romy, the talented curators of this place, continue recognizing that the environment housing the art plays an integral part of the overall display and presentation. Love it. It’s very modern and very much immersive virtual art. It struck me, when first viewing Harbor’s images from a distance, that they remind me of something the abstract expressionist painter Jackson Pollock could have created. Looking closer, however, there is much more to it than that; the subject, lines, light and colors merge invisibly somehow. This is a change for Harbor from her previous style. She notes that [f]or those of you who are familiar with my work through Flickr or shows here inworld…CREATURES OF LIGHT may be something of a departure from my usual style. My objective was to use an avatar devoid of ornamentation and to only utilize poses, light and color to create these pieces and to give myself permission to play and to step outside my comfort zone. So great, Harbor; I am in awe of your utterly new and courageous  approach to virtual images.

There is a new exhibit, Absences, by Melusina Parkin, curated by Dido Haas, at Nitroglobus. Most of us know the images by Melusina from Flickr, where she regularly posts series of five or six photographs that display various themes. Her work is minimalist and I believe barely processed with any kind of photo-tools outside of Second Life. There is something incredibly captivating about viewing her series as each image provides a hint of an idea, but it is really the whole, all images in the series together, that leaves one with a lasting impression. The twelve large color images on display in the Nitroglobus address lack, specifically as it pertains to Second Life. Melusina notes about her exhibit that [a]bsence is a negative concept: it means that something should be there and it doesn’t. So, when we look at an empty place – a room, a seashore, a road or even a chair – we can’t avoid thinking of something or somebody who has been or will be there. That’s even more true when a world, including nature and landscape, is entirely made by humans, like Second Life does…[o]n the other hand, looking at empty spaces is stimulating: when humans aren’t there they can be everything. I love imagining what has happened in a place when people has gone. Or what will happen when it will be populated by people. Spaces and objects shape our behavior: they are the limits or the starts of our actions and of our imagination. This is a wonderful exhibit that should not be missed. Melusina’s photographs fit so beautifully in the Nitroglobus gallery, both compliment each other. Head over and take a look.

Let me end with a few comments about other noteworthy art events. The talented Imani Nayar has a new show, My Furillen, curated by Serene Footman, at Furillen. The exhibit Her and Him, by Hillany Scofield, at dathuil, has been extended over the summer months. There is a new multi-artist show, Beautiful Bizarre, at DaphneArts Gallery. DiXmiX Gallery had an opening of a retrospective group show, Best of 2016-2017, yesterday. There are regular rotating exhibits and weekend-themed events at the gallery Blue Orange, the most recent one, Vintage Circus Freak Show. Last, but not least, the Itakos Gallery has been awarded a LEA grant and the gallery relocated to a new sim, the LEA16 Itakos Project. The opening of the new location will take place tomorrow, Sunday, July 16, at 2PM SLT, make sure not to miss it.

As always when it comes to these monthly art reports, I feel I need to point out that there just is not enough time in the day to cover every exhibit. So there are great Second Life art shows out there that I didn’t cover, my apologies. Let me mention here also that I have rarely experienced as vibrant an art world as we see it right now in our metaverse. More than ever before, we see sim-sized installations and photograph exhibits of incredible quality, all pulled together in collaboration by visionary artists and compassionate curators. We are not getting any kind of monetary reward for doing this, we are all driven simply by the pleasure of creating and sharing art. Bravo, thank you to all and keep it coming!

Photographs by Kate Bergdorf
Exhibit posters by respective galleries and artists

art in june

Snapshot_005

There is certainly no lack of art exhibits in Second Life during this first month of summer.  Besides the recently opened The Swamp , by Meilo Minotaur and CapCat Ragu, the photograph exhibit MYdigliani by daze Landar, the permanent works at Gallery M by Mich Michabo, all at Berg by Nordan Art, there are several exhibits, as well as at least one major new sim-sized installation, to explore.

My first stop today is at dathuil where we find the exhibit Her and him, by Hillany Scofield, curated by Lucy Butoh and Max Butoh. This collection of photographs is the second part of a collaboration with moon Edenbaum, who showed his exhibit me_you here last month. I think there are sixteen color images here; some of them are very creatively mounted in the ceiling, I got dizzy counting, but I think I got it right. I really like this exhibit by hill.s. Not only do the images beautifully correspond with the works by moon, but they also convey a completely different kind of intimacy. hill.s notes about her exhibit that [o]n a day like any other she walks into that little café on the corner. She knows it`s never crowded at this time of day. when she grabs a coffee and her favorite lemon pie on her way home. But this day is unlike the other days and this man is unlike any other she had seen around here. And his presence felt different to all the others…. Each picture here truly does offer a peek into what feels like a deeply personal moment that is part of a story. There is also something homely about these photographs that I utterly adore. Head over and take a look before the exhibit closes on June 30.

There are two exhibits, one by Cipher and the other by Peep Sideshow, curated by CrankyGrit, in two small galleries on the newly opened sim The GoodLife.  The little galleries are located right after you enter the sim, nested in decayed builds, one on the left and on one the right hand side of the street. Both spaces are intimate, displaying a handful of really good images by each photographer. Looking forward to more art exhibit on this sim, this is a great start.

Sina Souza is showing a collection of her own most favorite photographs at the Art Gallery The Eye. I’ve seen all these images before, but honestly,  I never really tire of Sina’s work. Her painterly surrealist style always leaves me wanting more. Head over and take a look at these photographs, I am not really sure how long they will be up. Make sure to also check out Sina’s new work Mental Levels currently at MetaLES if you haven’t already.

Last, but certainly not least, there is an incredibly complex and beautiful installation, Flash Forward/Flash Backward, by Giovanna Cerise, curated by Dividni Shostakovich, at Split Screen. This is a multi-layered work, consisting of six connected parts; Dream, Point of View, The Desire, Lightness, The Impossible Choice and The Birth.  All parts are accessible either by walking through the build itself or teleporting from one part to another. Extensive information about the exhibit, including landmarks to each space, is provided at the landing point. Wandering through this maze-like structure made me feel like I was part of a dream. There were times when I took a wrong turn and felt lost, but then found my way again. The surrounding flickering, shifting images and colors further contribute to the experience of being in a dream state. Giovanna notes about her work that it encompasses imagery from the past, present and future: Everything appears and disappears, in a game in and out, in the will to create alienation effects, restlessness, suspended in an allusive and visionary atmosphere. In this wandering, however, intimate glimpses appear as flashes that isolate and force them to stop. They are moments of stasis, breaks that interrupt the anxiety of trying. Objects that are reflected or evanescent figures metaphorically produce in the present vague suggestions. The installation, formed for the most part from simple geometric elements , is thus presented as a destructured form, almost shapeless with the intent to create chaotic and changing moments. Inside there are spaces that vanish in the complex but depending on the angle they are perfectly visible. A fantastic show, great in every detail, bravo Giovanna, really. Head over and take a look before the installation closes on July 31.

There are many other exhibits I did not cover here because there is simply not enough time. Let me just mention here though Itakos Art Gallery and DixMix Gallery, both of which always have regularly rotating photography exhibits by great artists. Also, rumor on the street has it that there is a great new group show coming up at UTSA ArtSpace (I know my friend ◦⊱ Mi ⊰◦ will part-take) so please be on the lookout for announcements.

Photographs by Kate Bergdorf

one family and art

Having an art sim I am fortunate enough to get to know the people who exhibit their work there. Everybody has a story and for a short moment we become part of each others’ stories. Some of the stories linger, or come to an end, others keep evolving. As of late, I find myself becoming a small part of a story so rich and meaningful that I want to share a part of it here. This is the story of a Portuguese family consisting of Meilo Minotaur, CapCat Ragu, Takio Ra and Rita Eustáquio. Meilo, in the middle in photo above, is the mother of CapCat, left in the photo. CapCat and Takio (right in the photo) are married and have a daughter, Rita. Rita does not yet have an avatar, and is not depicted above, but rumor has it that she is thinking about creating one soon. Meilo  and CapCat have been producing art in Second Life since 2008. Most of you probably know them as the creators of the sim Delicatessen. As of this year, they are also permanent resident artists at Berg by Nordan Art. Their first installation, in January 2017, was Penumbra and opening tomorrow, The Swamp. Remarkably, all four contribute to these installations. It is a joint family art project. While CapCat and Meilo create the visible work (terraforming, building, avatars, etc.), Takio is responsible for the sound and Rita does voice. The Swamp is dark and unsettling, a powerful metaphor for fascism inspired by Cap’s and Meilo’s first hand revolution and post-revolution experiences in Portugal; I’ve been told that sound and voice are a particularly important aspect of this work, so when you visit, please make sure to turn it on.

CapCat (Catarina Carneiro de Sousa) successfully defended her thesis Virtual Corporeality and Shared Creativity and received her PhD in April this year. She also published an article, Mom and Me Through the Looking Glass, in Metaverse Creativity in 2012. Her article examines the collaborative work of CapCat and Meilo in Second Life, integrating the notion of shared creativity; [t]he aim is to describe and analyse their cooperative creative process from the perspective of one of the artists/authors, walking through three artistic works that were made in the Second Life® region of Delicatessen: ‘de Maria, de Mariana, de Madalena…’, ‘Petrified’ and ‘Meta_Body’. These projects reflect two aspects of the artists’ work on the one hand avatar art, and on the other the creation of virtual environments. The text also reflects on the concept of shared creativity, which the artists propose through their avatar creations. The article is worth reading in its entity as it is a great source of information for Second Life residents, artist and non-artists alike. It is also beautifully written and in so many ways mirrors the work by Cap and Meilo that we see in-world.  To me, the work of these two women (and Takio and Rita) reflects the essence of metaverse creativity and, no doubt, they are virtual world artist pioneers. I leave you here with a quote from the first part of CapCat’s article:

We are two metaverse avatars. We are also mother and daughter; I am CapCat Ragu and Meilo Minotaur is my mother in real life. We are both artists, and as artists it seems that all through our lives we have been dealing with the same issues that we are now working on together in the Metaverse. When I was a little girl I used to love the Carnival holiday. In Portugal this is a time to dress up, and to imagine ourselves as the other… I remember my mother staying up all night working on these amazing seethrough butterfly wings for me. I think that these were the first avatars we ever made together.

 

Photographs by Kate Bergdorf

coming up at berg by nordan art

There are several new exhibits coming up at Berg by Nordan Art . First in line is the new installation The Swamp by Meilo Minotaur and CapCat Ragu, which opens on Sunday, June 4, at 10 AM SLT. The Nordan om Jordan sim will be closed to the public on June 2 and 3 for installation so please make sure to check out Penumbra before then if you haven’t already. The Amona Savira Memorial will be removed at that time also. About The Swamp, the artists note that it is a metaphor for fascism, from the point of view of Meilo Minotaur’s actual experience of fascism in Portugal, the Carnation Revolution, and the actual lived experience of CapCat Ragu from post-revolutionary Portugal. At a time when the crisis is trying to push us back into obscurantism is the moment to resist, to fight against the totalitarianism of capital, but never to return to fascism! Sound installation is by Takio Ra and voices by Rita Eustáquio. As is also the case with the current installation, The Swamp avatars will be available for free for gallery visitors.

Currently on view in the main gallery since the beginning of April is the show MYdigliani by daze Landar. daze’s show will be on display until the end of June. Beginning of July we have an exhibit by Senna Coronet, followed by a show by moon Edenbaum in October.  Mich Michabo is finishing up her new exhibit for Gallery M. As always, all parts of the gallery are accessible via teleport from the main Berg by Nordan Art gallery. Please be on the lookout in-world, as well on Flickr, for reminders and landmarks as we get closer to the opening dates. Lastly, make sure to post your photos taken at the gallery in the Berg by Nordan Art Flickr group.

Poster of The Swamp by CapCat Ragu
Photograph by Kate Bergdorf

art in may

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As always when it comes to new art in Second Life, there’s plenty to see. There are at least three photograph exhibits that opened this month. We also have a new installation, Fade Away, by the ever-productive and talented Cica Ghost that opened on May 5. Cica offers a quote by Bob Dylan as a theme: Some people seem to fade away but then when they are truly gone, it’s like they didn’t fade away at all. As so often when it comes to Cica’s work, we are not provided with any kind of extended artist statement from her end. But it doesn’t really matter, of course, as we can certainly derive our own interpretations from what we see. Fade Away comes in various shades of grey. Almost completely black trees, other kinds of dark vegetation, massive grey rock formations, as well as groups of solemn, hooded figures that are dispersed throughout, lending this space a feeling of hopelessness. There are single figures standing around too, some of them appear close to transparent, perhaps hinting at the passing of life. There are clocks dispersed throughout, indicating time, or, a loss or lack of time. Segments of fences are placed throughout, maybe suggesting a division of sorts. As commonly seen in Cica’s work, we also have little scenes scattered throughout, inviting us to take a closer look in order to find meaning. It seems this installation deals with questions about mortality and relationships, the passing of time perhaps, but I am not sure. These are just some feeble attempts from my part to make sense of it. Head over and take a look for yourself at this dark and very beautiful exhibit.

There’s a new exhibit, a Romance in Brooklyn, by Isa Messioptra, at Mirage Gallery, that opened yesterday and will be open for the next month. This is a great little gallery, set on the sim Mirage, owned and curated by Nicasio Ansar. The space itself consist of a maze-like set up of metal structures with divisions, a great back-drop for this playful exhibit by Isa. There are twelve large color images part of this show; with names like let him do the guessing, ….“only one drink though,” share a cab, and ok 3 drinks, each and every one of these photographs is subtly seductive and only leaves the viewer wanting more. Bravo Isa, a cool and sexy exhibit with great energy. A breath of fresh air for sure!

One of my all-time favorite Second Life artists, Sina Souza, has a new exhibit, Mental Levels, at MetaLES, curated by Ux Hax and Romy Nayar. Sina, who started producing art in the virtual world in 2012, also has her own gallery, Mind Factory. The images in the current exhibit at MetaLES are displayed in large black boxes, all positioned on different levels. I counted eleven boxes altogether and each level connects with stairs. The photographs contained in them are bold and strong. To me they feel like they have been painted, but they have not. This artist often addresses in her work societal issues and we see some examples of this here with works like democratic suicide or in the tact of society. A wonderful exhibit Sina, and it is great to see you work in-world again.

Finally, I just had to make a last stop to check out the exhibit by Magic Marker, curated by Sorcha Tyles, at the Artful Expressions Gallery. I believe this is the first exhibit by the talented Miss Marker. This show consists of nine photographs; one in black and white and the rest in color. Magic uses in her photographs vibrant colors, captivating poses and props which she combines to achieve a unique expression that is easily recognizable as hers. Her work is energetic, fun, and full of passion.

Photographs by Kate Bergdorf