There is plenty of art to be seen in SL in November. Currently at my own gallery, Berg by Nordan Art, we have The Joy Formidable, by Livio Korobase, and L’avion en Papier, by ◦⊱Mi⊰◦, both open until the end of the year. My first stop on my gallery tour this morning then was the recently opened From here on there be dragons, by Alpha Auer, curated by Dividini Shostakovich, at Split Screen Installation Space. The installation will be open until the end of January 2017. First off, let me just say, nobody does gold in SL like Alpha Auer (previously covered here). This installation consists of several large golden dragons, mirrored in the renaissance map surface below, and surrounded by modern geometric black structures. Alpha notes that [w]hen Medieval and Renaissance map makers got to the edge of the world, they used to write “beyond this place there be dragons,” meaning dangerous or unexplored territories that sailors should beware of before attempting to cross into them. This was expressed by the visual practice of putting dragons, sea serpents and other mythological creatures in uncharted areas of maps. In this installation I have used a Renaissance map, a leaf from Abraham Ortelius’s “Theatrum Orbis Terrarum,” as the floor of a dark, geometric architecture which floats high in the sky, depicting an abstract, reflected world guarded by tangibly real-looking dragons. Alpha Auer, aka Elif Ayiter, is a designer, educator and researcher, you can read more about what she does on her website.
My second gallery stop was the exhibit Always Closer, by the French artist Lil’ Frenchie elo, curated by Dido Haas at Nitroglobus Roof Gallery. The exhibit will be open until the end of December 2016. Here we find sixteen large photographs, mostly studies of BDSM, beautifully put together and quite expressive. Elo notes that [s]ubmission is the ability to give the best of you to the one you love, without any questioning about the reasons of this love. It’s there, that’s all and you must show it, you must say it, and get Always Closer to it, because life is too short. Great job putting this together Elo, congratulations.
At MetaLES, curated by Ux Hax and Romy Nayar, is still open on the ground the installation Tumor by Igor Ballyhoo. In the MetaLES sky space can be found the exhibit, Tout Est Allume, by Tutsy Navarathna. This is a compilation of 16 machinima and 19 animated shorts by Tutsy. About this exhibit, he notes that [a] friend of mine, Etienne Armand Amato, once mentioned this: It’s because we only have one life we need . . . several. Virtual reality, augmented reality, virtual life, immersive worlds … These new words describe a part of our future. My movies in Second Life try to show how virtuality is part of our reality. The influence it has on our thoughts, our artistic creations, our friendly or romantic relationships. A phenomenon still very young, virtual life has a bright future and like all major revolutions it is worth to see more closely, trying to understand, even flying too close to the sun and burn your wings . . . The show will be open until the end of the year.
Lastly, we have an exhibit an multi-artist exhibit by Maloe Vansant, Fingers Scintilla and Dixmix Source at the DIXMIX Gallery, which opens tomorrow, Wednesday, November 23 at 12 PM SLT. Head over to the opening if you can, it promises to be a great exhibit by these three talented photographers.
Photograph on top by Kate Bergdorf